PM Spirits

Provider of Geeky Spirits

Venenosa,Imbibe,Imbibe,Imbibe,Imbibe

Imbibe: Passion Project Nicolas Palazzi and the art of selling to 50 people

Imbibe, Nicolas PalazziNicolas Palazzi

We’ve never had a market,” says Nicolas Paul-Marie Palazzi, Miami-based owner of PM Spirits. “Fifteen years ago there wasn’t a market, and there’s no market now.”

This seems an odd thing for the founder of a successful spirits-importing company to say. But it’s true in one way: Palazzi doesn’t really identify markets; he identifies bottles. He finds spirits he loves, brings them into the country, and then goes looking for the handful of people who will appreciate them, too.

Photo by DAVID SALAZAR

Palazzi, who moved to New York from his native France in 2004, has emerged as one of the most admired spirits importers among aficionados and collectors, almost to the point of cultishness. His portfolio features outlier Cognacs, Armagnacs, single-malt whiskies, and big, funky rums. These include unicorns like Jacky Navarre Cognac, L’Encantada Armagnac, and Hampden Estate rums.

“The French are often the most traditional, and they like rules, whether it’s cheese or honey or spirits or whatever,” says Monique Huston, vice president of spirits portfolio at Winebow, an importer and distributor of wines and spirits. “Nicolas just kind of went anti-French.”

Palazzi was born and raised in Bordeaux, where familiarity with fine wines and brandy is all but mandatory. His mother’s family makes wine with their small business in Côtes de Bourg, and one of his grandfather’s closest friends was a well-regarded Cognac distiller. “At Sunday family lunches at my grandparents’ house,” Palazzi recalls, “we’d finish with Cognac made by this gentleman.” Palazzi wasn’t immediately drawn to the world of beverages. He left home to study engineering, and, after engineering school, worked several years as an environmental engineer for the French national electric utility company EDF. When a friend invited him to visit New York City, his life took a new trajectory. He left his unsatisfying job, moved across the Atlantic to join his friend (now his wife and mother to their two children), and found a new job managing a medical research lab. He had a respectable technical career but still didn’t feel content, and he eventually realized that he should build a life around something he actually cared about. “I would get up in the morning and just feel upset for no reason,” he says. “It wasn’t healthy.”

He considered his options. “My basic thoughts were, what are the things that I genuinely like to do?” he says. “And I liked wine and spirits.”

His interest led him first to hanging out, then working on weekends at Jean-Luc Le Du’s boutique wine shop in Manhattan’s West Village. He sharpened his knowledge of wine through seminars, blind-tasting groups, and connections with the sommeliers who patronized the shop.

New York impressed him with its wide diversity of available wines, especially compared to Bordeaux. He was particularly drawn to the bottles from smaller, family-run vineyards. But he found the spirits shelves lacked that depth and were dominated by larger, corporate brands. Palazzi’s instincts told him that New York would welcome curated, lesser-known spirits. So he quit his laboratory job and took his first, tentative steps into the beverage-importing business.

The standard advice for building a successful business is this: Identify demand in a market, then satisfy it. Palazzi didn’t follow that approach. His business model, if it can be called that, was to seek out spirits he liked—made as naturally and with as little intervention as possible—and then strike an import deal with the producer. Put the bottles on the store shelves, and assume fellow lovers of spirits would eventually find and buy them. While his plan was vague at best, he did have a short list of contacts, ranging from producers he knew in France to buyers he’d met at Le Du’s wine shop.

Palazzi flew home to France and visited his grandfather’s friend, the Cognac maker, who became a mentor. “His operation was super tiny, just one dude, but he was real artisanal and really good at what he did,” he said. “I approached him and said, ‘I like spirits. And I’m thinking that I would like to do something around it, and I don’t know anything about it, really.’”

With his mentor’s advice and introductions to a few other distillers, Palazzi launched PM Spirits, named to honor his father, Paul-Marie Palazzi. His first import was Guillon-Painturaud Hors d’Age, a Grande Champagne Cognac, provided by his family’s friend. Back in New York, he took to the streets with bottles in a bag, talking with restaurateurs and liquor shop owners one at a time, hoping to convince them to stock his product. One agreed, then another, and in time he sought out other spirits worthy of attention, including his second import, a Cognac from the house of Paul Beau.

He learned the mechanics of importing the hard way: by screwing up. He underpriced bottles and sold them at a loss. He bought inventory without understanding cash flow. He learned about duties, invoices, and the peculiar financial limbo in which an importer pays suppliers and the government long before customers pay him. “I’ve done a lot of things that did not work out,” he says. “But none of them were fatal.”

A central problem was finding someone to distribute these obscure bottles—a common lament among smaller importers. So Palazzi did what became a recurring feature of his career: When the conventional system didn’t work for him, he worked around it. He began distributing his own spirits in New York, selling bottles himself. To this day, PM Spirits consists of two businesses: a New York wholesale operation, in which his company self-distributes the products in the state, and an importing business that supplies distributors throughout much of the rest of the nation. (Palazzi and his family moved from Brooklyn to Miami in 2019.)

Bit by bit, drinkers started to pay attention. Palazzi returned to France and discovered Armagnacs and Calvados that he thought worthy of attention, and began importing those as well.

He visits each distillery to assure himself that it’s managed by artisans, not accountants. “We meet the people—we need to be like-minded individuals,” Palazzi says. It’s telling that his online directory of imported products often features pictures of the producers, not shots of stills or barrel houses. “It’s meaningful,” says Kate Perry, U.S. market manager for La Maison & Velier, who met Palazzi in 2014 and has partnered with him in importing and marketing his spirits in the U.S. “They’re real—real farmers, real people, real communities. A very personal thing, which is not often the case with spirits brands.”

His explorations have taken him far beyond French brandies, and his portfolio has expanded to include whiskies, rums, agave spirits, eau de vie, and liqueur—all ticking the boxes Palazzi has set out, foremost among them being that he likes drinking them. Palazzi has also partnered with likeminded others in collaborative ventures. “We see if we can work together and do something that’s cool and tastes very good, and that I can afford,” Palazzi says.

Perhaps the best known of his “collabs” is the partnership with Equipo Navazos, a boutique sherry producer in Spain. Palazzi came across this sherry at a wine dinner organized by Levi Dalton in New York, and later toured Spanish bodegas with co-founders Eduardo Ojeda and Jesus Barquin. Ojeda and Barquin took an approach to sherry similar to that embraced by Palazzi: find and market excellent, distinctive sherries crafted by independent producers.

The trio soon partnered on a line of spirits, starting with Spanish brandy that had been aged in sherry casks in hot, dry Spain—a process that transformed a middling brandy into something worthy of a snifter. They later applied the same method to other spirits, including gin, Spanish whiskey, and rum, all sold under the Navazos-Palazzi label. Their rum in particular attracted fans. A Caribbean rum aged five years in ex-bourbon casks and then further in oloroso sherry barrels for more than a decade, it was praised by critics for its notes of quince, walnut, and caramelized roasted meat. In one review, the taster concluded that the rum evokes a full, festive meal in a glass. Palazzi has also released his own branded line of PM Spirits, which includes Cobrafire, launched in 2016. It’s an unaged Armagnac, produced with Domaine d’Espérance, sold as an eau de vie de raisin.

A “drink less, drink better” ethos has spread in recent years, as spirits fans consume less but are willing to spend more on higher-caliber bottles. In some ways, the buying public has caught up with Palazzi, who has become an inadvertent avatar of this movement. There is something almost stubbornly old-fashioned about his approach. It’s not exactly a recipe for building a mass market. But that’s never really been the point. “I don’t have any marketing money,” Palazzi says with a shrug. Finding great spirits is easy, he says. Getting people to try them (and, importantly, buy them) is much harder. “So the only thing that I can do is put a product on the market that looks cool and tastes very good, then try and convince people it’s worth their attention and their money.”

“I think it’s gotten to the point that putting the PM Spirits stamp on something says Nick has tasted this,” says Huston, “and that means it’s really good quality. Maybe his audience is 50 people.” And she appreciates that Palazzi’s approach is essentially: “How about I bring this beautiful thing in for those 50 people?”

Vinepair: Puntas — a High-ABV, Hyper-Traditional Style of Mezcal — Is Going Commercial

agave, Cinco Sentidos, Vinepair, VenenosaNicolas Palazzi

It was at the end of a tasting at Eli’s Mezcal Room, an underground mezcal tasting experience located in a local man’s New York apartment, when host “Eli” (not his real name) pulled out one final bottle he thought might interest me: an unlabeled plastic water bottle he had suitcased back from Mexico. It was extraordinarily aromatic and I could smell its vegetal, medicinal notes the second the Poland Spring’s lid was unscrewed. It likewise had a rich, intense, burning flavor — no surprise as it was nearly 70 percent ABV.

When alcohol comes off a still, the distiller cuts it into three parts, each descending in alcohol content, and generally referred to as the heads, the heart, and the tails. The most toxic elements, like methanol, are concentrated in the heads and tails, meaning many distillers across all spirits categories only bottle the hearts to be safe.

But this special mezcal Eli had served me was actually composed of all heads, which, besides methanol, also possess some incredibly aromatic, flavorful compounds like propanol, ethyl lactate, acetic acid, and furfural.

Though formerly the (strictly non-exported) handiwork of hyper-traditional mezcal, of late, puntas offerings are becoming increasingly commercialized and the category has even infiltrated the tequila world.

Puntas on the Palenque

Until recently, most Americans who would have tried puntas (the Spanish word for points, a synonym for heads) probably did so in a similar way to what I did. There aren’t really any commercial examples of it and, quite frankly, bottlings like the one I tasted might not even be legally allowed to be sold in this country for a variety of reasons.

“It’s definitely much more common to find it at the palenque (mezcal distillery),” says Noah Arenstein, who runs the mezcal program at The Cabinet in New York’s East Village. “Because either it’s being used to blend back into the final mezcal and adjust the ABV and flavor … or they’re saving it to drink for themselves.”

If The Cabinet has one of the world’s largest mezcal collections, the bar only has a few commercial examples of puntas. Indeed, Mezcal Reviews, an online database with over 1,800 mezcals listed, has only cataloged 11 puntas bottlings over the years.

La Venenosa, raicilla Puntas

La Venenosa Racilla Puntas is the first example Arenstein recalls seeing on shelves, circa 2016. (While also agave-based, raicilla is not the same as mezcal or tequila.) Cinco Sentidos shipped its first batch of Puntas de Espadín to the U.S. market in 2021. Two years earlier, Mal Bien had started offering Madrecuixe Puntas, which the producer called “the platonic ideal that we imagine spirits to be. Agave, boiled down to its very essence, the plant stripped of everything but its soul.”

“This was always something we would produce at the distillery, ever since we started producing in 2007.”

Cinco Sentidos espadín Puntas

Arenstein finds all the puntas releases have a unique, specific taste. “You get almost a hand sanitizer note,” he says. “You put it on your hand and it evaporates like, you know, a hand sanitizer without lotion would. It has a lightness and kind of effervescence to it.”

If that doesn’t sound too appealing, there’s the somewhat taboo aspect of drinking puntas to consider. Haven’t we long been told that heads are solvent-y in taste and dangerous to drink — not only high in ABV but high in methanol content. And can’t that make you go blind?!

“If I’m pouring puntas for someone I will sometimes preface it with that,” Arenstein says. While a well-cut puntas is certainly safe to drink in small portions, Arenstein admits he has definitely encountered mezcaleros (distillers) with a cloudy-eyed look that has made him wonder, if not concerned.

The Distiller’s Cut

Admittedly, any concerns Arenstein has are not enough to stop him from drinking delicious examples of the style as more and more expressions hit the market. And it’s not just mezcal (and raicilla) producers now sending puntas expressions stateside.

“I think distillation can get really complicated and geeky to the average person,” Estes says, “so we wanted to help people understand what makes this different and unique and special.”

The first release, produced from agave from the La Ladera estate, and distilled at La Alteña, which has been the Camarena family’s distillery since 1937, was cut at 64 percent ABV, though diluted with water to 101 proof. (While a traditional mezcal puntas would never be diluted, tequila can’t legally be bottled in America at higher than 110 proof or 55 percent ABV.)

It quickly became a cult hit, well reviewed on sites like Tequila Matchmaker where it currently scores a crowd-sourced average of 90 among the site’s community. It was also most mainstream tequila drinkers’ first introduction to the old mezcal term puntas. (In Jalisco, distillers use the more literal translation for heads: cabezas.)

“There’s bad borrowing that’s happening from the mezcal world and there’s some good borrowing. And in a way this feels like a good borrowing,” Arenstein says, referring to Ocho’s use of the term. (Estes is quick to note that Camarena’s great-grandfather was making what was known as “vino de mezcal” well before tequila was even a term or category.)

https://vinepair.com/articles/puntas-traditional-mezcal-on-the-rise/

Radio Imbibe Episode 46: Nicolas Palazzi of PM Spirits

Armagnac, cognac, interview, Nicolas Palazzi, ImbibeNicolas Palazzi
Episode 46: Nicolas Palazzi
Radio Imbibe

The cover story of our March/April 2022 issue features brandy, and for this episode, we wrap up our coverage of the spirit with Nicolas Palazzi. Born in Bordeaux and now living in Brooklyn, Palazzi is the founder of PM Spirits, an importer and distributor of specialty spirits, including Cognac, Armagnac, and Calvados. For this episode, we talk with Palazzi about his search for memorable barrels of brandy, what he looks for in great brandies, and his work to bring these spirits to an American audience. 

Radio Imbibe is the audio home of Imbibe magazine. In each episode, we dive into liquid culture, exploring the people, places, and flavors of the drinkscape through conversations about cocktails, coffee, beer, spirits, and wine. Keep up with us on Instagram, Twitter, and Facebook. And if you’re not already a subscriber, we’d love to have you join us—click here to subscribe.  

https://imbibemagazine.com/podcast/radio-imbibe-episode-46-nicolas-palazzi-pm-spirits/

BRANDY - From Cognac to California, the historic spirit’s influence runs deep.

Interview, L'Encantada, Cognac Frapin, cognac, Cognac, Brandy, ImbibeNicolas Palazzi

JUICY FRUIT

From vineyard or orchard to bottle and bar, brandy’s influence runs deep.

Cognac, Armagnac, applejack, schnapps—in whichever form brandy is found, these spirits made from fruit have no parallel in the glass. While whisk(e)y, tequila, and rum get lots of love these days (deservedly so) from cocktail lovers and spirits drinkers, brandy is evolving and emerging on its own terms, slowly building a fan base to take this timeless spirit into the future.

We’re taking a closer look at today’s world of brandy—the ways it’s made and appreciated around the world, the details behind its complex production, and the reasons it should be the next bottle you reach for when cocktail hour rolls around.

Nicolas Palazzi

Bordeaux-born and Brooklyn based, Palazzi is the importer behind PM Spirits, specializing in independent spirits such as L’Encantada Armagnac, Cognac Frapin, and Cobrafire eau-de-vie de raisin.

“Something that’s really cool is when you’re in a brandy cellar, with 50, 60, 100 casks in front of you; even if they’re from the same batch of distillation, every cask is its own world. You could taste 15 casks distilled the same day, and you’ll find tremendous differences between them—whereas something like bourbon would be very consistent. There’s so much aroma and flavor profile available in brandy. If someone thinks Cognac is just one thing and it’s boring or they don’t like it, I assure you, I can find a single-cask Cognac that’ll blow your socks off. It’s a world that deserves to be discovered, for sure.”

https://www.dropbox.com/s/mel2ts24hjap0oq/MA22-Imbibe-Brandy.pdf?dl=0