Financial Times: Make mine a Stinger… why cognac cocktails are trending

Forget the Spicy Margarita – here’s what the mixologists will be ordering at the bar

The Spicy Margarita is everywhere – in plenty of bars I know it now accounts for half of all drinks sales. But what would we all be drinking if the bar world’s top tastemakers had their way? In my survey, brandy won by a landslide, with cognac, Armagnac and apple-based calvados all getting plenty of votes. “Cognac is the king of spirits, it’s got so much going on,” says Jake Burger, proprietor of Portobello Star in London’s Notting Hill. He recommends the 19th-century Cognac Cocktail – essentially an Old Fashioned made with brandy – “which is what we’d all be drinking today if phylloxera hadn’t wiped out all the French vineyards and turned America into a whiskey-drinking culture”. For a really authentic Cognac Cocktail, he says, use Sazerac de Forge & Fils cognac, which is modelled on pre-phylloxera recipes (£121, masterofmalt.com). Under the £80 mark he also likes Merlet XO, Fanny Fougerat Iris Poivré XO and Prunier VSOP. Armagnac comes highly recommended by Sipsmith co-founder and master distiller Jared Brown and Sebastian Tollius, beverage director of Eleven Madison Park’s new Clemente Bar. “It’s rustic, full of character and versatile,” says Tollius. He favours the small batch bottlings by French specialist PM Spirits (from $62.50, pmspirits.com). “Perfect [as a sub for whiskey] in classics like Manhattans or as a stand-in for cognac in a Vieux Carré.” Ennismore’s head of bars Robert Simpson makes the case for calvados, “which has flavours from crisp fresh fruit through to apple strudel”. Punch editor Talia Baiocchi agrees: “I love a simple calvados and tonic.”

PM Spirits VS Overproof VS Bas Armagnac, $62.50 for 75cl, pmspirits.com

Liqueurs were another strong performer – and particularly crème de menthe. Which would have shocked me had I not, uncharacteristically, found myself ordering a Stinger in the Spy Bar at Raffles London just recently. This minty digestif sees cognac laced with white mint liqueur; it’s typically shaken and served “up” in a coupe or over crushed ice. Spy Bar makes its own After Eight-infused crème de menthe, but Tempus Fugit (£31.50 for 70cl, bbr.com) is also excellent. Another liqueur due a revival, according to drinks writer and co-owner of the Pacific Standard in Portland, Oregon, Jeffrey Morgenthaler, is the monastic nightcap Bénédictine DOM (£31.25, thewhiskyexchange.com) – he favours the “sweet, peppery, herbal French liqueur” in a rye whiskey-based La Louisiane cocktail. NoMad London’s Leo Robitschek, meanwhile, pleads the case for amaretto, particularly in a sour. If there’s a common theme in all of this, it’s the after-dinner drink. Perhaps 2025 will see the red-hot Margarita make way for something a bit more smouldering. 

Stinger

Some might find this old-school 3:1 formula a bit heavy on the crème de menthe. If in doubt, start with less and then work your way up.  60ml VSOP cognac or armagnac 20ml white crème de menthe (such as Tempus Fugit) Method: Shake with ice and then either strain into a cocktail glass, sans ice, or serve over crushed ice in a rocks glass. 

Navazos Palazzi Malt Whiskey Cask Strength [Palo Cortado Single Cask] Review

The Whiskey Tribe review of Navazos Palazzi Malt Whiskey (Palo Cortado). Spanish malt finished in a unique and rare style of Sherry cask.

‘We Stand for Non-Bullsh*t Products’: Why Blended Whiskey Makers Are Openly Discussing Their Spirits

From Barrell Craft Spirits to Mic Drop, a new wave of NDP's talk eschewing "tradition" to make unique bourbons.

Joe Beatrice spends his day tasting whiskey, assessing the character of the contents of barrel after barrel throughout his multiple maturation warehouses. It’s one of his jobs, along with his two full-time blenders, to know the flavor profiles of the over 10,000 casks of bourbon and rye they own. But while this is standard work at a distillery, what’s different about Barrell Craft Spirits, the company Beatrice founded in 2013, is that it’s never distilled a drop.

Barrell is one of the most celebrated of the new wave of non-distilling producers, or NDPs. In and of themselves, NDPs are nothing new; if you drink American whiskey, you’ve probably enjoyed many of them over the years, perhaps without even knowing it. Bulleit, for example. Or Redemption Rye, Templeton or Angel’s Envy. The list goes on.

Historically, NDPs haven’t been eager to highlight the fact that they don’t make their own whiskey. Bourbon, it was believed, was all about tradition, so there was an incentive to invent a fanciful yarn to suggest authenticity. But Barrell tells you as much as it can about what’s in the bottle, which might include where the whiskey was purchased and how old it is. “There’s no fake backstory,” Beatrice says. “I didn’t come across the blending recipe in my grandfather’s trunk. I didn’t get it from a Conestoga wagon.” The company simply buys barrels of liquid distilled by others, then employs in-house expertise to blend them into something exciting and new. “The notion that it can only be good if you make it yourself is crazy,” Beatrice says.

Since 2007, a distillery called High West in Park City, Utah, has been quietly leading the way on the concept of honest sourcing. Master distiller Brendan Coyle ranks transparency at “the top of the values list of the company.” High West, along with other pioneers such as Smooth Ambler, distills its own whiskey but also sources it from others (largely from the massive MGP plant in Indiana), using blending and imagination to concoct something unique, such as A Midwinter Night’s Dram, a blend of two types of rye finished in French-oak port barrels and released every fall to eager drinkers and collectors. Coyle likens blending to art; this hybrid approach, he says, is akin to having more colors with which to paint.

From left to right: Barrell Bourbon, A Midwinter Nights Dram whiskey, Mic Drop. Barrell Craft Spirits/High West Distillery/Mic Drop

Wherever you look in the NDP market these days, you’ll see a new transparency that feels radical, whether it’s the hyper-limited Mic Drop—its website diligently recounts every minute decision that went into the bottle—or the enormous Bardstown Bourbon Company, which literally prints the pedigree of its purchased and blended Discovery series right on the label. Bardstown is sitting on thousands of its own distilled barrels, still too young to use, but Dan Callaway, the company’s VP of product development, says that even when its barrels come of age, Bardstown will continue to purchase whiskey for blending. “Discovery series is an opportunity to create something new and special,” he says. “Our story is our team. We want to show people the whole process.”

Nicolas Palazzi, creator of Mic Drop, puts it more plainly still: “We stand for non-bullshit products,” he says. “To be honest, it doesn’t sound very radical to me.”