Bloomberg: Incredible Jamaican Rums That Truly Bring the Fruity Funk

Summer rummin’

Last month, I finally had the opportunity to check off a box on my spirits-pro bucket list: experiencing a Jamaican dunder pit.

A Jamaican what pit? In brief, it’s a giant, mucky vat used by some rum makers in which leftovers—fibrous bits of sugar cane, yeast residue and other solids and liquids remaining in the still—are dumped and allowed to slowly ferment with wild yeast, like a sourdough starter on steroids. Sour mash bourbons also use a portion of spent grains after distillation to jump-start a new fermentation process, so this may sound familiar to whiskey fans.

The Hampden distillery, operating since 1753, is a hit among high-end rum collectors.Source: Hampden Estate Rums

Yet the dunder pit takes it to whole new level. I can see how rumors start about bat heads and other animal remains tossed into the muck—though I’m assured these are just tall tales.

Frankly, it’s not cute. The murky, ominous-looking sludge bubbles and foams like a cauldron, and exudes a wildly funky, aged-cheese-and-molasses-y stench that could knock you right off your barstool. But it was an absolute delight.

If only this image was scratch ’n’ sniff: Hampden’s dunder pit.Photographer: Kara Newman

That aroma represents the magic that gives Jamaican rum its signature “funk,” that overripe-banana-like tone that distillers refer to as “hogo.” It’s also an essential step for creating esters, organic compounds that contribute to a rum’s aromas and flavors—and, many rum lovers say, the more the better.

Jamaican rums in particular are often described as “high-ester rum,” and while that’s not universally true, or even unique to Jamaica (you’ll find great examples in Barbados, Martinique, etc.), that high-ester punch is easy to recognize. If you want to learn more, Cocktail Wonk’s Matt Pietrek has a great deep-dive explainer.

Because spirits can be presented in shiny bottles, it’s easy to forget that they’re agricultural products. But driving past Jamaica’s vast sugarcane fields and experiencing a dunder pit up close reminded me how important rum and sugar cane are to the island’s cultural and agricultural heritage as well as to its economy.

Right now, Jamaica is in the throes of an ongoing dispute about what can and cannot be called “Jamaican rum.” Of note, last year Jamaica’s Intellectual Property Office approved an amendment to the geographical indication (GI) designation, stating that rum distilled in Jamaica but aged elsewhere is no longer eligible to be recognized as Jamaican rum. However, parties who want to age Jamaican rum outside Jamaica are pushing back, and the legal battle continues.

Much of the furor boils down to transparency, explained Peppie Grant, manager of Hampden Estate, as he guided a tour of the distillery. His view: “As long as they’re not trying to claim that the flavor comes from aging outside Jamaica, it’s OK,” he said. After visiting the relatively small Hampden as well as rum giant Appleton Estate, and sampling countless other Jamaica rums, I can understand why producers would be so protective of one of their key cultural exports.

Returning home to New York after getting dunder-struck, I looked around and more fully felt the Caribbean-inspired cocktail moment we’re in. From the lauded daiquiris at Momofuku’s Bar Kabawa (celebrating all of the Caribbean, with a special hug to Barbados from chef Paul Carmichael) to the new Red Bar within the Printemps department store (focusing on Gregory Gourdet’s Haitian heritage and Caribbean/French spirits broadly) to Afro-Caribbean drinks at Tatiana by Kwame Onwuachi (where Bloomberg’s food editor is still dreaming about the mushrooms), it's exciting to see ingredients such as sorel and clairin—not to mention lots of Caribbean rum—claiming a long-overdue spotlight.

Jamaica’s rum inevitably finds a place among these drink menus, just as it’s finding a place among the cabinets of high-end spirits collectors. And when summer hits, it feels doubly right to pour.

So here are a few key bottles for those who want to experience a bit of hogo without hovering over an odoriferous dunder pit (unless that’s your kind of thing, of course—you’ll find no funk-shaming here). These rums are fruity and approachable, with just a whisper of Voldemort funk-that-shall-not-be-named.

Hampden Estate Great House 2024 ($131)

It’s unabashedly intense and funky, with tons of tropical fruit (think coconut, mango) on nose and palate. Aging in emptied bourbon casks adds a fleeting hint of dark chocolate. While visiting the distillery, I had a chance to sample the forthcoming vintage 2025 bottling, which was newly pulled from the barrel. It tasted like bananas foster, but crisp and bone-dry. I’m looking forward to the day it makes its way stateside.

Transcontinental Rum Line: Jamaica 2016 ($66)

I tried this bottling, which is part of a lineup of world rums from independent bottler La Maison & Velier, at last year’s New York Rum Fest, and it put me in mind of caramelized banana and grilled pineapple with lots of fresh-ground black pepper. The seafaring graphics on the label definitely inspire a bit of wanderlust, but also speak to how it’s made on two continents: distilled and aged for four years in Jamaica, then matured one more year in Europe. Wherever it lands on the “Is it or isn’t it Jamaican?” GI-designation battle, it’s a memorable sip worth seeking out.

bon appétit: How One Man’s Obsession with Fruit Created the UK’s Most Exquisite Spirits

Barney Wilczak and his tiny distillery are bottling the wildness of the orchard.

BY OSAYI ENDOLYN

May 12, 2025

“The fruit is coming.”

The urgent phone call that Barney Wilczak anticipates typically comes in the middle of the night. The caller is one of his local farmer partners who has just walked their orchards to touch, smell, and taste the fruit. The brief exchange notifies Wilczak that the quince, perry pears, blood oranges, raspberries, or damson plums destined for distillation are ready to harvest. A distiller of groundbreaking eaux de vie, Wilczak describes his work as being “in service to the fruit.” Part of that service is to represent the fruit at its highest level of flavor, to harness its essence. So the processing must begin right away. Wilczak takes the farmer’s call as his cue, rises in the early darkness, and prepares to receive by the truckload literal tons of fruit.

Wilczak built Capreolus Distillery in 2016, on the same property as his childhood home in Cotswold, southwest England. His eaux de vie have an almost unnerving ability to transport the drinker to those abundant fields. The region is known for its endemic fruits, many of which don’t appear in other parts of the world. The name Capreolus refers to the deer that frequent Wilczak’s garden. “They’re the most beautiful native deer we have and they’re so ephemeral,” he says. “You see them and then they disappear. It felt apt, as we try to capture things that only last for moments.”

That late night/early morning phone call from Wilczak’s farmer collaborator wouldn’t have been a surprise. Wilczak firmly believes that production revolves entirely around the wisdom of the trees and the people who cultivate them, not marketing drives or quarterly sales targets. Every piece of fruit that arrives at the distillery is hand-sorted to check for outliers of “too much softness or spring,” before it is hand-pressed and guided through distillation and bottling.

Hand-sorting gooseberries at Capreolus. Photograph By Barney Wilczak

You might say that Wilczak practices a type of conservation: His farming supports much-needed biodiversity, and drinkers around the world can experience hyperlocal plants they wouldn’t otherwise have access to. The quince evokes notes of cinnamon, fig, and dark cherry. It tastes of earth yet bright twig and leaf—to drink these eaux de vie is to be situated in terrain.

“Last year we spent 7.5 hours sorting 700,000 individual raspberries. That’s 3.6 tons,” Wilczak says, with a look of bewilderment. All that fruit, time, and effort across a team of four people, yielded roughly three hundred 375-ml bottles. With a sense of pride and maybe surrender, he adds, “It’s ridiculous.”

Wilczak has fans, if not acolytes, of his so-called ridiculousness. Among them, famed cocktail bartender Ryan Chetiyawardana, professionally known as Mr. Lyan, who features Capreolus eaux de vie at Seed Library in London’s Shoreditch, Washington D.C. bar Silver Lyan, and Super Lyan in Amsterdam. He credits Dawn Davies of The Whisky Exchange for introducing him to the spirit. “It was revolutionary to try an eau de vie that represents my favorite fruits as a UK native,” Chetiyawardana says. “Barney sees the whole essence of the plant as not just a biological creature, but what it stands for. I was flabbergasted.”

A view of the orchard

Preserving nature in the bottle

Wilczak found distilling through his love of nature. As a student he thrived in botany and biology, but couldn’t make sense of working nonstop in a lab. He pivoted to study photography and specialized in conservation. In brief, he became a plant photojournalist. “I was photographing habitat restoration on six continents, building media libraries for botanic gardens in 118 countries.” Alongside his studies, he developed a hobby for making ciders, exploring the technicalities of distillation and méthode traditionnelle, a style of winemaking that involves a secondary fermentation in the bottle. The leap to distilling was not a huge jump. “It all comes down to a love for plants.”

As he approached age 30, Wilczak experienced “a bit of a life crisis.” He didn’t want to only document plants for visual archives. He wanted to promote the growth and appreciation of those plants for others. “I realized that people are obsessed with varietal differences in wine, but it’s also true of every single fruit.”

When Wilczak launched Capreolus, his bank account was overdraft by eight pounds, but supported by his partner Hannah Morrison, whose taste became imperative to Wilczak’s process. Everything was once done by hand and muscle, though he’s since acquiesced to buying a mill. He committed to work with farmers within a fifty-mile radius of his home-distillery, and just recently purchased meadowland to plant quince trees, which will soon bring that particular eau de vie production within range (it was previously the lone outlier).

His focus on local farmers came down to pay equity. “Early on I was talking to someone in Finland about wild-picked cranberries and they said, ‘We’ll get them to you for 2 euros per kilo.’ I knew that was really really cheap for wild-picked fruit,” he explains. The fruit would be picked in Russia. “What are the labor laws there? What are people getting paid?” Wilczak wanted to work with people he could meet, with operations he could see. “We wanted to pay people a proper wage, focused on farming well,” he says, a nod to the price point of his lineup, which can range from about $90 to $185.

With his local focus, he learned that there was not “a single piece of overlap in flavor or aroma.” The realization inspired him to learn how these individual expressions manifested. He spent about seven years studying fruit distillation practices in epicenters of Austria, Germany, Italy, and France, and translating non-English books on the subject.

After distilling perry pears from 200-year-old 45-foot trees, Wilczak was shocked. The distillation didn’t smell like fruit. “It smelled like sun-warmed bark, ripe and unripe wood, autumnal leaves, and almost like the grass around the trees,” he says. “My self-guided education had a huge focus on a technological, yield-driven way of working, but that robbed the eau de vie of complexity and organic structure,” he continues. “I became interested in making eaux de vie that are truly organic and expressive of where they come from.” That meant becoming dogmatic about respecting the inherent knowledge of the trees and the ecosystems that allowed them to produce such varied fruit. “Suddenly, the eaux de vie started to smell like the orchards.”

Black currant eau de vie in progress. Photograph By Barney Wilczak

Around the world with eaux de vie

In New York City, Jorge Riera, wine director at Frenchette, Le Roc, and the newly revamped Le Veau d’Or, features Capreolus eaux de vie as the finishing touch on leisurely, decadent meals. “It’s mind-blowing,” Riera says. “The delicacy, the finesse, the floral notes that Barney gets out of it. I was blown away.”

Riera first tasted the lineup in 2018 in Vienna, Austria, at Karakterre, a 14-year-old natural wine conference celebrating producers primarily from central and eastern Europe (the festival now has a NYC iteration going into its fourth year). Riera immediately called his importer, PM Spirits, to see about getting Capreolus to the States. “With the raspberry eau de vie, you feel the fuzz of the fruit in the nose,” he goes on. “They work with nature and it’s beautiful. But for me, I see the result at the dining table. I see the emotions from people immediately.”

One of the more evocative eaux de vie is the damson plum, a quintessential British fruit. “Old recipes of distilling damson take on this slightly jammy, tart note,” Chetiyawardana says. “Barney manages to capture the smell of the blossoms as you walk past the bush. It has that white flower elegance. The purple fruit notes encapsulate the tartness of the skin and the yield of the flesh. It pulls through to this wonderful fresh almond note from the kernel.”

For this writer, Capreolus eaux de vie feels like falling into a safe, warm memory you didn’t know you had. The damson plum is an example of Wilczak’s conservation ideology: “No one knows what to do with a cooking plum; it’s something we’ve lost from our vocabulary. We can let these things slip away. But if we want those genetics as a resource given changing climate, we have to give a justification for them to be grown.” His exquisite bottles make for a compelling reason. The only experience better than sipping Capreolus is to share it with someone as willing to be moved as you.

Bloomberg: The 15 Best New Bottles I Tried in 2024, From $26 to $26,000

Season’s greetings, spirits sippers! It’s Brad Japhe, the resident expert on the subject, reporting for duty. As is customary this time of year, I’m presenting my annual list of the absolute best bottles I encountered over the past 12 months. The stable of contenders was crowded in 2024: Of some 322 new expressions sampled, I counted no less than three dozen deserving of effusive praise. Sadly, some of those offerings are just so painfully pricey and/or excruciatingly allocated that I couldn’t, in good conscience, include them here.

Instead, my choices embody a wide variety of liquid across all categories and price points. Make no mistake, you will see bottles fetching four- or even five-figure sums—entries are organized in order of increasing cost—but it’s all relatively available for purchase. You won’t need an estate planner to broker acquisition.

But before we get to the big reveal, let’s recap the year’s major headlines. Beyond spotlighting the shape of the industry in 2024, these news items hint at where we’re headed in the months ahead.

For one thing, people aren’t paying as much for rare whiskey. A recent report from the financial advisory firm Noble & Co. indicated that the value of auctioned scotch cratered by 40% in 2024. But that hasn’t slowed the trend of formerly shuttered “ghost” distilleries rising from the grave across the Scottish landscape, as I reported this summer.

Tariffs proposed by the incoming administration mean your favorite tequila could effectively become 25% more expensive in the year ahead. And a separate trade war with the UK could persuade domestic scotch consumers to experiment with single malts from emerging markets such as India or New Zealand.

Or, perhaps they’ll start exploring American single malt, since the category is finally going to be recognized by the Alcohol and Tobacco Tax and Trade Bureau, after more than eight years of lobbying efforts.

But enough speculating about what’s coming. Here are my best bottles of 2024.

Alambique Serrano Rum Blend #5 — $70.Source: Vendor

Alambique Serrano Rum Blend #5

There’s more than just mezcal coming out of the highlands of Oaxaca. This artisanal brand from the steep hillsides of Santa María Tlalixtac specializes in world-class rum. In fact, you’ll be hard-pressed to find sugarcane distillate anywhere drenched in as much complexity as this 65.9%-ABV spiced-banana bomb. It’s a 50-50 blend of column spirit, aged for 27 months in ex-bourbon casks, with pot still spirit aged for 19 months in new French oak. Cut it with a splash of water to extend a tobacco and toasted almond-toned finish. Or knock it back neat, if you dare. ($70)

Hampden Great House 2024 Jamaican Rum — $130.Source: Vendor

Jamaica’s holy house of funk never disappoints when it comes to full-bodied expressions, brimming with over-ripened fruit. Although the exact recipe of this annual limited release shifts each year, it invariably involves a blend of rums that epitomize the brand’s signature style. This time around it finds form in a 57%-ABV sipper that wows with an initial wave of marmalade and cranberry relish, revealing more tropical fruit undertones as it warms in the dram. ($130)

Bloomberg: Your Next Investment Bourbon Should Be a Brandy

Illustration by Nico H. Brausch

By Christopher Ross

June 18, 2024 at 6:27 AM UTC

Bourbon collectors, I feel your pain. What was once a niche hobby for booze geeks has become a forbiddingly expensive and competitive endeavor, what with the annual Pappy Van Winkle lotteries (and heist) and secondary markets where a $2,000 bottle of 20-year Eagle Rare can leap to $14,000 in just five years.

Still, if you love the hunt for artisanal, rare spirits, have you considered pivoting from grains to grape? The warmth and woodsy flavors of single-barrel, full-strength cognac and Armagnac can closely resemble the taste of bourbon, at a more attainable price point.

“Folks who’ve had the opportunity to taste these bottles notice, wow, there’s that concentration, that similar profile of combining fruit and structure from the wood,” says Greg Faron, co-founder of new importer Bien Élevé in Washington, DC. Some vintage brandy can compare in flavor to glut-era bourbon, he says, referring to the 1970s-to-early-’90s period when distillers cleared out older, languishing whiskey stock under younger labels.

Bien Élevé joins established importers PM Spirits and Charles Neal Selections—plus upstarts such as Bhakta Spirits, from the founder of WhistlePig whiskey—as part of an expanding network of bottlers and retailers working with aficionados to build a ground floor for collecting these complex liquors.

Their biggest obstacle? The French.

See, when it comes to investment bourbon, what’s most sought-after are single-vintage bottles, ideally single-barrel, bottled at cask strength—offering a premium of intensity and purity and rarity, traceable to a specific location and point in time. But that’s exactly the opposite of how French brandy is traditionally produced.

Distillers at major cognac houses such as Hennessy and Courvoisier believe the beauty of their craft lies in artful blending; they lock up eaux-de-vie (unaged spirit distilled from grapes) from hundreds of growers to do so. There are strict brandy-making rules around grape varietals, distillation and minimum aging time in oak barrels, but blending isn’t actually a prerequisite.

“I’m French, so I can say this: The French feel they are the guardians of a tradition, which makes them not innovate whatsoever,” says PM Spirits founder Nicolas Palazzi, one of the first importers to bring unblended, collector-bait brandy to the US.

The Cognac region, Palazzi says, is particularly disincentivized to put out the kind of artisanal spirits that US buyers are clamoring for. If a producer decides to set aside a barrel for aging as a vintage cognac, a member of the Bureau National Interprofessionnel du Cognac (BNIC) must be present for its sealing. To open that cask for any reason, including if it’s leaking or damaged, they need to pay for another inspector to come out and oversee the breaking of the wax seal.

Moreover, Big Brandy doesn’t see much long-term strategy in single-barrel bottlings, as it’s only able to achieve its current sales volumes by blending spirit from different casks; the ultrapremium $4,000 Rémy Martin Louis XIII may contain as many as 1,200 eaux-de-vie, some as much as a century old. There are precious few growers in Cognac who don’t sell to the mass-market houses.

Steve Ury, a well-known former bourbon blogger, takes a cynical view of the Kentucky gold rush, so he turned his gaze toward France. He says his steadily growing Facebook group, Serious Brandy, now counts more than 3,000 members. He says American buyers have had to train smaller brandy producers to fill that desire gap between collectors and the conglomerates.

“Their first instinct was, you blend everything, you water it down to 40%—that’s what people want,” Ury says. “And we had to go and say, ‘No, that’s not what we want. We want to see those barrels. Just put ’em in a bottle. We don’t need you to do anything else.’ ”

There’s casks all over the place, all over France, sitting in garages and sheds.

Cognac houses Pasquet and Grosperrin are among producers that have gotten the memo, as well as L’Encantada Armagnac, he says, which can be “very bourbon-like. It’s dark and oaky because they don’t do as much treatment to it, they just sort of leave it in the barrel.”

Reid Bechtle, a collector in Virginia, agrees. He was so enchanted when first tasting L’Encantada’s Armagnacs in 2015 that he and fellow members of his private whiskey club—1789b, which buys whole barrels of spirits—foresaw the untapped demand and purchased three on the spot. Now, he says, L’Encantada’s fame has grown, and its small-batch, orange-wax-topped bottles command such a cult following that it’s often impossible to find at retail. “What we used to buy for $60 is now $300.”

For your own collection, this month PM Spirits is releasing a L’Encantada discovery box ($211) featuring 200‑milliliter independent bottlings of brandy distilled by three different domaines over three different decades: 1999, 2001, 2012. Dozens of years in barrel reveal beautiful tertiary aromas of dried citrus, tobacco and resin.

Cognac Frapin, a family-owned producer founded in 1270, focuses mostly on traditional aged blends, but it, too, is coming around, with help from Palazzi. A 1994 vintage released in May is a first for the maison: single-estate, single-cask, full-proof. Balancing the richness of the wood with subtle orchard fruit, vanilla and leather, it costs $265. Only 500 bottles were made.

Similarly, Bien Élevé imported a single-cask 1967 Cognac Lheraud Bons Bois ($640), perfumed with exotic spice and dried figs and elegantly rounded on the palate. “It’s become more of a focus in France, finally, for single-barrel picks,” says Faron, the Bien Élevé co-founder. Just a dozen of the 132 bottles of the Lheraud Bons Bois were allocated to the US.

I wouldn’t be surprised if major producers started earmarking exceptional casks as well, given that collectible, traditional blends have stalled. The compound annual growth rate by volume of ultrapremium-and-above French brandy was down 2% globally from 2018 to 2023, compared with ultrapremium bourbon’s 22% growth, according to IWSR, a global beverage alcohol data specialist.

“With French brandy, the extraordinary and extensive histories—over 700 years for Armagnac alone—and the tremendous ageability of these spirits, arguably far greater than most whiskeys, should mean that the possibilities for finding great spirits are near endless,” says Nima Ansari, a buyer for Astor Wines & Spirits in New York who stocks about 20 bottles of boutique brandy. Cognac can age longer than bourbon or American rye because of a cooler climate and less char on what are usually older, larger barrels.

But the ultimate factor may be the love of the hunt. As in the early days of searching for bourbon “dusties” on liquor store shelves, there’s a sense of undiscovered treasure out there, if you know where to look and strike quickly when opportunities arise.

If a vineyard hasn’t presold all its grapes to a brandy house, some farmers might have their own spirits distilled for consumption among friends and family or as an investment. “Every farm is a potential producer,” Ury says. “There’s casks all over the place, all over France, sitting in garages and sheds.”

In other words, there’s a lot of potential boutique brandy out there—and it’s all rare. Consider: If an importer comes across the private stash of an elderly couple, buys it and releases 170 bottles, it might be all that family farm ever produces.

For collectors who get a thrill from acquiring a truly one-of-a-kind spirit, it’s tough to put a price on those bragging rights. At least for now, though, a couple hundred bucks ought to do it.

Wine Enthusiast: The Most Memorable Bottles We Drank in 2023

Any seasoned imbiber knows that the quality of a drinking experience is far more than the sum of its parts. After all, a great wine is not merely great because it drinks finely. It’s great because of the atmosphere in which it’s enjoyed—in an exquisite locale, perhaps, or alongside cherished friends. Key, too, is the story behind the bottle: who made it and how, why and when. Knowing these things in no way chemically alters what’s in the glass, but it certainly has the power to alter one’s perception of it. The mind, after all, is a taster’s most important tool.

These were the things we asked Wine Enthusiast’s team of editors and contributors to consider when we asked them to name the bottles they found most notable in 2023. In this list are exquisite wines drunk in unlikely places (including, for example, alongside a highway in France) and made through unusual means (say, aged at the bottom of the sea). There are also limited-release spirits, including one that matured in the constantly-rocking hull of a schooner and an eau de vie whose maker’s attention to detail borders on obsessiveness.

Do these bottles have the power to inspire you? Perhaps, once reading these stories, they will.

Navazos Palazzi Vermut Rojo

“One of my favorite sips this year was Navazos Palazzi Vermut Rojo, a Spanish red vermouth. It’s a collab between Sherry negociant Equipo Navazos and Nicolas Palazzi of importer PM spirits. It’s made with a base of oloroso Sherry, so it’s deeper and richer than most red vermouths, but enlivened with touches of bitter orange and savory spice. I enjoyed it in Manhattans (it plays nicely with rye whiskey) as well as poured over ice. I see why Spain is a fan of ‘la hora del vermut’ (the vermouth hour).” —Kara Newman, Writer at Large

Capreolus Raspberry Eau de Vie 2019

“Barney Wilczak, the proprietor of the U.K.–based Capreolus Distillery, uses 30 kilograms of perfectly ripe and healthy raspberries to produce only one liter of the Raspberry Eau de Vie. His quest for the highest–quality product can be described as obsessive. However, it allows him to capture and preserve the essence of each fruit so precisely. The raspberry stands out, with its complexity, length and incredible purity.” —Aleks Zecevic, Writer at Large

The World Cup of Luxury Spirits: Best Booze of 2022

It’s a global matchup for the titles in best new whiskey, gin, rum, nonalcoholic spirit, digestif and more.

By Brad Japhe
December 16, 2022 at 7:00 AM EST

The World Cup is nearing its end—as is 2022. In service of such, we’re taking a moment to memorialize the best booze of the year. What does liquor have in common with soccer, you may ask? Not a whole lot if you’re watching it live in Qatar. But under usual circumstances, well-crafted spirit, just like the Beautiful Game, is a truly global phenomenon. And just as it’s been a particularly big year for soccer, it’s been for spirits, too, with a plethora of new releases kicking around bottle shops as of late. Over the past 12 months, I sipped my way through more than 150 expressions hailing from roughly 40 different countries. For those keeping score, that’s eight more entries than the total number of national teams qualifying for the World Cup.

For fans of high-end whiskeys, rums, vodkas, gins and more, there’s almost too much to cheer; according to the Distilled Spirits Council of the US, luxury brands increased by 23% in Q2 over that same quarter of 2021. All this is to say, the field is increasingly crowded. Upon careful deliberation and review, I’ve managed to whittle it down to one-on-one matchups for every primary category of spirit, including some zero-proof entrants. But in each draw, it’s up to you to decide which side walks away with the trophy. Let’s get the ball rolling....

Group Gin: Procera Green Dot versus Three Cuts Distiller’s Release Bold Exotic.

Best Gin of 2022

Kenya versus Australia

Procera Green Dot ginWhereas most gins on the market today are made using dried juniper, this Nairobi-based distillery relies on fresh

berries from the native Juniperus procera. Its 94-proof Green Dot ($120) incorporates all parts of the treeincluding the foliage and bark. The resulting liquid offers a pine-forward nose, typical to the category, but itwarms the mouth with earthiness and a tickle of umami on the finish. It exists as that rarest of breeds: a sippinggin. Presented in a mouth-blown decanter of recycled glass, this gin exudes uniqueness inside and out.

Group Rum: Papalin Jamaica 7 Years Old versus Andrés Brugal.

Best Rum of 2022

Jamaica versus Dominican Republic

Papalin Jamaica 7 Years Old rumThis assertive banana-bomb from esteemed independent bottler Velier marks a melodious merger of twolegendary producers from opposite ends of the Caribbean island. High-ester rum from Hampden and Worthy

Park were pot-distilled and matured in their respective distilleries and warehouses before being combined into awhole greater than the sum of its parts, at about $60 a bottle. Ripened tropical fruit is on full display, and yet athoughtful balance to the blend precludes the finish from overplaying its funk.

Group Brandy: Pierre Frapin Cuvée Rabelais versus Suyo No. 1.

Best Brandy of 2022

France versus Peru

Pierre Frapin Cuvée Rabelais cognacThe Frapin family has been crafting cognac in the Charente Valley since the 13th century. Today their estateconsists of 600 acres worth of vines in the grande Champagne cru. Eau-de-vie distilled from this region is

especially well-suited for lengthy aging, as this collectible $13,000 release convincingly demonstrates. It containsliquids that are 100 years old, and yet the XO exerts a spry vitality, pirouetting across the tongue with brightcandied orange and stewed apricot. The mahogany liquid decants gracefully from a gold-necked vessel, craftedby the oldest glass manufacturer in France, Cristallerie Saint-Louis.

SPIRITS: THE TIP OF THE ICEBERG

BY ANTONIO GALLONI | DECEMBER 08, 2022

It all started innocently enough. Over the last few years, I have seen a marked increase in spirits made by winemakers. I thought it would be fun to taste them and write them all up. That was the genesis for this report. But then more and more samples arrived, and before I knew it, the article had morphed into a broad survey of spirits of all kinds. This article is clearly not comprehensive to any one category, but rather intended as a collection of spirits I think Vinous readers will enjoy.

As I started tasting through these spirits, I wondered if my approach to tasting wine and Champagne would be applicable, or if instead, I needed an entirely new methodology for looking at quality. I asked myself if there are really marked differences between several raspberry eaux de vie, for example. It turns out spirits can absolutely be assessed for aromatics, fruit, texture, finish and a number of criteria used in evaluating wine. If anything, the alcohol in most categories acts as an amplifier of those qualities and also accentuates both strengths and flaws. And yes, raspberry eaux de vie can be very different.

Where possible I have indicated lot numbers, although these aren’t always available in the world of spirits. I would like to see that change so consumers can know they are buying the same product I tasted and reviewed. In this regard, parts of the spirits world share some basic principles with other beverages such as NV Champagne, but also soft drinks and beer, where the goal is to create a ‘consistent’ product from year to year. There are virtues in that, and it is a skill, but I believe small batch bottlings that are differentiated are far more interesting, certainly far more interesting for the inquisitive reader looking for something that is truly distinctive. For now, I have relaxed the rule I have for NV Champagne where I only review bottlings that have a base vintage or disgorgement date listed.

But that does make me wonder what the future is for craft spirits. About a decade ago, I sat in the Krug tasting room with then-CEO Margareth Henriquez and Olivier Krug and explained that I would not review their Grande Cuvée because there was no way to ensure the batch I tasted was the same wine in the market. I suggested adding a base vintage or disgorgement date, which would differentiate releases, make each release special, and then, in time create opportunities for thematic tastings and/or special packaging, like mixed cases. “Our customers have no interest in this information,” was the reply.

Readers might find this hard to believe, but at the time, the Grand Cuvée struggled mightily in the market. It did not sell. And this was not that long ago. For a time, the half bottles were dumped in elite New York City restaurants (likely elsewhere too), where they were sold for next to nothing. Then, Krug began experimenting with thematic names for each release, before settling on the Edition system. A stroke of genius. Guess what happened? For the first time ever, Grande Cuvée became an allocated wine. All sorts of comparative tastings emerged, as did boxed sets that offer a combination of releases.

To be sure, spirits are different. Many are made in tiny quantities and on a far smaller scale than wine or Champagne. Unlike wine, bottles are opened and often enjoyed over a period of time, so comparative tastings are less the norm. Even so, I would like to see better and more consumer-friendly labeling. There is a possible parallel with the world of grower Champagne, where an increasing number of producers detail varietal breakdown and the exact source of their fruit. Why would that not be applicable to a fine source of pears or raspberries for eau de vie, or a specific breakdown of lots in a Cognac? All information like that does is create greater consumer interest.

I tasted the spirits in this report in November and December 2022.

The Eau de Vie Damson Plum from Capreolus is laced with hints of dried fruit, crushed flowers, herbs, mint and red stone fruit. Exotic and nuanced the Plum Brandy is exquisite. It is an especially floral, savory plum spirit. This fruit was sourced in Vale of Evesham, This is bottle 118 of 336.

The Eau de Vie Raspberry melds together plenty of fruit character, but in a serious, almost imposing style. This is not an easygoing spirit at all. Then again, approximately 75 pounds of fruit yield one liter of eau de vie. Sweet floral and herbal accents add lift. There is a bit of angularity and that leaves the Raspberry feeling a bit tense next to the other eaux de vie in the range. This is bottle 257 of 301.

The Eau de Vie Quince is floral, lifted and also very refined on the palate. A spirit of understatement and class, the Quince is soft-spoken, with impeccable balance, fine length and tons of sheer appeal. Dried floral and herbal notes resonate on the finish, but it is the overall balance I am most drawn to here. This is bottle 48 of 116.

The Eau de Vie Poire Williams (100% Bartlett Pear) from Cazottes is fabulous. Creamy and textured, the Poire Williams soars out of the glass with stunning aromatic complexity. Soft contours add raciness to this decidedly polished, exuberant eau di vie. The style is one of sublime refinement and class - perhaps too much for some palates - but all the elements are so well balanced. This release is a total knockout.

The Eau de Vie Reine Claude Doreé (100% Greengage Plum) is a wild, exotic eau de vie. The aromatics alone are crazy. A whole range of floral and savory top notes give the Reine Claude Dorée its distinctive personality. Fruit is more in the background in this captivating spirit from Laurent Cazottes. The bright, clean finish is a thing of beauty.

The Haut-Armagnac La Réserve is very pretty, aromatic and lifted. What this young Haut-Armagnac lacks in age it more than makes up for with its exquisite balance and finesse. There are no hard edges whatsoever. Sweet spice, leather and floral notes give the Réserve notable aromatic presence to match its mid-weight personality. La Réserve is a blend of young Ugni Blanc and Colombard, usually about six years old, aged in 100% new French oak and bottled at 45% abv.

The 2011 Haut-Armagnac La Flamme (Ugni Blanc, Colombard) is a blend of single barrels bottled at full proof. Rich and explosive, La Flamme is a heady, exotic Haut-Armagnac that delivers the goods big time. Here, too, the balance is exquisite, especially for a spirit that is a little more than a decade old. Light caramel, spice, herb, maraschino cherry and toast notes build into the pure, persistent finish. This is a terrific showing. Abv is 50.5%.

The 1994 Brut de Fût is a single cask blend of 65% Ugni Blanc and 35% Colombard bottled at cask strength, unfiltered and with no additives. Gently mellowed by time, the 1994 is a wonderfully expressive Armagnac. Soft contours wrap around a gentle core of macerated cherry, spice, leather, dried herbs and light caramel notes. This is all understatement and elegance. I very much admire the precision here. Spring frost and a dry summer yielded a small crop of ripe grapes. The 1994 spent a total of 27 years in wood.

The Cognac Grand Champagne Chai Paradis Très Vieille Réserve is a single cask bottling from Frapin's Paradis cellar. Hints of smoke, caramel, dried flowers, leather and orange peel lend notable aromatic presence. A Cognac of understatement and finesse, the Très Vieille Réserve is wonderfully expressive right out of the gate. Abv is 42.8%.

The Eau de Vie de Cidre Double Zero is gorgeous. It was made from more than thirty varieties of apples, blending bitter, bittersweet, sweet and sweet varieties. Fruit is harvested, then cellared for a few months to concentrate the flavors, before fermentation and distillation begin. Laser-like in its focus, with gorgeous aromatics, this eau de vie is seriously impressive. A glass will provide pleasure to both the hedonistic and intellectual senses. This is L.20.

The Rhum Agricole Organic is a powerful spirit that makes its full-proof felt. Flavors and textures are dialed up to eleven. Hints of lime, ginger and spice add complexity to this intense, wonderfully complex rum. Although a bit of a splurge, I would be thrilled to have it on my bar for cocktails. The Organic is made from hand-harvested sugar cane, distilled in copper creole stills and bottled at 71.2% abv

The Rhum Agricole Les Mangles is a single parcel, single cane rum. Rich and explosive in feel, the Mangles possesses tremendous depth right out of the gate. Dried flowers, leather, earthiness, herbs and a touch of mint add striking complexity, but more than anything, the Mangles is a rum of textural density. Pretty floral and spice accents round out the finish. It's another intense, full-bodied rum from Père Labat, bottled at 70.7% abv.

The 2009 Single Barrel Fut is a tiny bottling of 12-year-old Rhum Agricole aged in a bourbon barrel. Soft and delicate, with striking complexity, the 2009 is lights out. Maraschino cherry, spice, dried flowers, orange peel, leather, cedar, chocolate and sweet toasted oak lend tons of aromatic and flavor complexity. The 2009 is outstanding, but readers have to expect a rum with a pretty strong oak imprint. Time in wood does seem to attenuate the power found in Père Labat's young Rhum Agricole. The 2009 Single Barrel was bottled at 61% abv. I loved it.

The Armagnac Les Carré des Fantômes is a single parcel field-blend bottling of Plant de Graisse, Mauzac Blanc, Meslier St François, Jurançon Blanc, Mauzac Rosé and Clairette de Gascogne, six nearly extinct varieties. It is an especially airy, floral and savory style of Armagnac, maybe a bit classically austere in profile, but also incredibly intriguing. Light in color, with slightly nutty, oxidative overtones, the Carré des Fantômes is an absolutely gorgeous spirit. It is a beautiful, eccentric Armagnac that requires an inquisitive palate to fully appreciate. Batch 08.

The 1990 Single Cask Armagnac is a fabulous choice for readers looking for an Armagnac with the gentle, burnished character that only comes from long maturation in cask. Soft and engaging, the 1990 is an absolute delight. Scents of dried figs, spice, caramel, crushed herbs, leather, barrel toastiness and dried flowers are all woven together. No topping during aging results in a spirit with gorgeous complexity that develops in a very gradual oxidation that has taken place over more than thirty years. Lovely.

The 2006 Calvados Single Cask was distilled from a mix of more than 40 varieties of apples and spent 15 years in French oak prior to being bottled at cask strength. It offers a gorgeous combination of bright fruit and the more complex notes conferred by aging in barrel, all with the softness achieved with time. Gentle smoke, spice, leather, orange peel and dried flowers all grace this exquisite, wonderfully complex, delicate Calvados.

The Armagnac XO from L'Encantada is a blend of eight barrels spanning vintages 2006 to 1986 from five different domaines. It marries the power of Armagnac with notable elegance and tons of finesse. A spirit with no hard edges and fabulous balance, the XO is magnificent. Fruit, floral, spice, dried fruit, caramel and subtle oak notes are all beautifully woven together. The XO is a fabulous introduction to a range mostly composed of single barrel offerings. The purity here is just superb. This is bottled at cask strength, so there is plenty of intensity, yet this lies on the more refined side of Armagnac.

The Corn Whisky Bota NO 2021 is a single barrel bottling made from 100% Spanish corn from the joint venture between Equipo Navazos and importer Nicolas Palazzi. It was aged for 15 years in an Oloroso Sherry cask, with no topping (hence the designation 'NO') and bottled at full proof. A powerful, explosive spirit, the Corn Whisky is packed with scents of scorched earth, game, leather and earthiness. There's not a lot of subtlety here, but I doubt that is the point. Bottled in 2021.

The Cognac Hommage a Yves & Jean-Noel Pelletan is a tiny blend comprised of one barrel of 1965 and a few demijohns going back to 1925. It is the last bottling from Palazzi's days of buying and blending Cognacs under his own label. Quite potent in the glass, the Hommage is a bit rustic, but also incredibly authentic in feel. The explosive power is palpable. It's a Cognac for readers who appreciate structure and body more than restraint. The Hommage was bottled at cask strength and dedicated to master coopers Yves and Jean-Noel Pelletan.

The Eau de Vie Gravenstein Apple is packed with fruit flavor, spice and strong dried white notes. There's wonderful savoriness and tartness to balance some of that fruity character, along with tons of depth and what comes across as strong skin character. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Morello Cherry is one of my favorite eau de vies in this collection. Creamy and expansive, the Morello is all finesse. Crushed red-fleshed fruit, spice, sweet floral accents and a kick of warmth all come together in a spirit that is impeccably balanced from start to finish. The depth and explosive complexity here are off the charts. This is one of four eau de vies in Rochelt's gift box set.

Rochelt's Eau de Vie Wachau Apricot is ridiculously great. Intensely aromatic, Wachau with almost tropical overtones, the Apricot is so expressive from the very first taste. Yellow orchard fruit, ginger and soaring aromatics stain the palate. It's an eau de vie that deeply satisfies both the hedonistic and intellectual senses. I will remember tasting it for a very, very long time. What a knockout. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Quince starts off quite subtle and then explodes through the mid-palate and into the finish. Strong mineral and earthy undertones give the Quince uncommon complexity to play off fruit flavors. Deep and expansive, with tons of character, the Quince is wonderfully complete, but also quite imposing. There's a ton of power and substance here, with an almost phenolic quality that lingers on the finish. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Mirabelle Plum was distilled in 2009, and then aged in glass balloons, in the classic Rochelt style. It is wild, penetrating and full of character. The feeling here is one of focus and length, more than the body found in some of the other eau de vies in this collection. Sweet floral and savory notes continually open in a spirit of uncommon finesse and nuance. The Mirabelle hovers on the palate with wonderful elegance. What a knockout.

Give Your Cocktail a Little Je Ne Sais Quoi

An unequivocal translator of time and place, eaux de vie—or unaged fruit brandies—have added a missing I don’t know what to the modern drink.

For the average person, nosing a glass of, say, whiskey, might conjure tasting notes along the lines of “oaky,” “fruity,” or at the most basic, “This is whiskey.” But hand them a glass of eau de vie, or unaged fruit brandy, and even the most novice drinker might say, “Ooh, this smells just like raspberry.” Indeed, the beauty of eau de vie is its clarity of flavor. And thanks to a growing number of top-rate producers who understand the spirit’s potential, and an equally enthusiastic cohort of bartenders who appreciate its strong sense of place, eau de vie has finally found a welcome home on the modern backbar. 

Eau de vie—French for “water of life”—is by no means novel. Born and bred in Europe, particularly France, Southern Germany, Austria and Northern Italy, this category of delicate fruit-driven spirit has existed for centuries. Historically, it was considered a peasant spirit, made from the scraps of fruits. Now, eau de vie’s focused flavor has made it a standout option for bartenders seeking unequivocally terroir-driven ingredients to add complexity to any number of cocktails. 

Even before craft whiskey brands began exploring the potential for grain to embody flavor characteristics from a specific plot of land or soil type, eau de vie had already put its stake in the ground as a spirit that is first and foremost an agricultural product. “When enthusiasts go to a whisky distillery, there is a lot of emphasis put on fermentation, the still distillation process, the temperature, the number of plates the still has and so on,” explains Nicolas Palazzi, founder of the Brooklyn-based importing company PM Spirits, which brings stateside such renowned eau de vie producers as Rochelt and Cazottes, and starting in early 2022, Capreolus Distillery. “Eau de vie producers don’t care as much about distillation as other categories do; they care about the field, the vines, the orchard, the fruits,” Palazzi adds. “There is a relation to the land that is not necessarily present with producers who either distill grains or fruits for the purpose of aging the distillate.”

In this way, eau de vie producers share much in common with contemporary winemakers. No matter the raw material—be it apple (pomme), quince (coing), raspberry (framboise) or plum (mirabelle)—distillers are looking for fruits of the highest quality, which are grown in ideal conditions and harvested at the peak of their flavor. Like wine, variations in flavor can be tasted in each vintage, or even between parcels of land within the same vintage. 

“At one time, I would have said that terroir in spirits is impossible because the distillation process would strip anything from the initial source,” says Ben Robinson, sommelier at Moor Hall, a restaurant with two Michelin stars in Lancashire, England. “However, over the last few years, I would have to say that there could be a sense of terroir in eaux de vie.”