PM Spirits

Provider of Geeky Spirits

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Imbibe: Passion Project Nicolas Palazzi and the art of selling to 50 people

Imbibe, Nicolas PalazziNicolas Palazzi

We’ve never had a market,” says Nicolas Paul-Marie Palazzi, Miami-based owner of PM Spirits. “Fifteen years ago there wasn’t a market, and there’s no market now.”

This seems an odd thing for the founder of a successful spirits-importing company to say. But it’s true in one way: Palazzi doesn’t really identify markets; he identifies bottles. He finds spirits he loves, brings them into the country, and then goes looking for the handful of people who will appreciate them, too.

Photo by DAVID SALAZAR

Palazzi, who moved to New York from his native France in 2004, has emerged as one of the most admired spirits importers among aficionados and collectors, almost to the point of cultishness. His portfolio features outlier Cognacs, Armagnacs, single-malt whiskies, and big, funky rums. These include unicorns like Jacky Navarre Cognac, L’Encantada Armagnac, and Hampden Estate rums.

“The French are often the most traditional, and they like rules, whether it’s cheese or honey or spirits or whatever,” says Monique Huston, vice president of spirits portfolio at Winebow, an importer and distributor of wines and spirits. “Nicolas just kind of went anti-French.”

Palazzi was born and raised in Bordeaux, where familiarity with fine wines and brandy is all but mandatory. His mother’s family makes wine with their small business in Côtes de Bourg, and one of his grandfather’s closest friends was a well-regarded Cognac distiller. “At Sunday family lunches at my grandparents’ house,” Palazzi recalls, “we’d finish with Cognac made by this gentleman.” Palazzi wasn’t immediately drawn to the world of beverages. He left home to study engineering, and, after engineering school, worked several years as an environmental engineer for the French national electric utility company EDF. When a friend invited him to visit New York City, his life took a new trajectory. He left his unsatisfying job, moved across the Atlantic to join his friend (now his wife and mother to their two children), and found a new job managing a medical research lab. He had a respectable technical career but still didn’t feel content, and he eventually realized that he should build a life around something he actually cared about. “I would get up in the morning and just feel upset for no reason,” he says. “It wasn’t healthy.”

He considered his options. “My basic thoughts were, what are the things that I genuinely like to do?” he says. “And I liked wine and spirits.”

His interest led him first to hanging out, then working on weekends at Jean-Luc Le Du’s boutique wine shop in Manhattan’s West Village. He sharpened his knowledge of wine through seminars, blind-tasting groups, and connections with the sommeliers who patronized the shop.

New York impressed him with its wide diversity of available wines, especially compared to Bordeaux. He was particularly drawn to the bottles from smaller, family-run vineyards. But he found the spirits shelves lacked that depth and were dominated by larger, corporate brands. Palazzi’s instincts told him that New York would welcome curated, lesser-known spirits. So he quit his laboratory job and took his first, tentative steps into the beverage-importing business.

The standard advice for building a successful business is this: Identify demand in a market, then satisfy it. Palazzi didn’t follow that approach. His business model, if it can be called that, was to seek out spirits he liked—made as naturally and with as little intervention as possible—and then strike an import deal with the producer. Put the bottles on the store shelves, and assume fellow lovers of spirits would eventually find and buy them. While his plan was vague at best, he did have a short list of contacts, ranging from producers he knew in France to buyers he’d met at Le Du’s wine shop.

Palazzi flew home to France and visited his grandfather’s friend, the Cognac maker, who became a mentor. “His operation was super tiny, just one dude, but he was real artisanal and really good at what he did,” he said. “I approached him and said, ‘I like spirits. And I’m thinking that I would like to do something around it, and I don’t know anything about it, really.’”

With his mentor’s advice and introductions to a few other distillers, Palazzi launched PM Spirits, named to honor his father, Paul-Marie Palazzi. His first import was Guillon-Painturaud Hors d’Age, a Grande Champagne Cognac, provided by his family’s friend. Back in New York, he took to the streets with bottles in a bag, talking with restaurateurs and liquor shop owners one at a time, hoping to convince them to stock his product. One agreed, then another, and in time he sought out other spirits worthy of attention, including his second import, a Cognac from the house of Paul Beau.

He learned the mechanics of importing the hard way: by screwing up. He underpriced bottles and sold them at a loss. He bought inventory without understanding cash flow. He learned about duties, invoices, and the peculiar financial limbo in which an importer pays suppliers and the government long before customers pay him. “I’ve done a lot of things that did not work out,” he says. “But none of them were fatal.”

A central problem was finding someone to distribute these obscure bottles—a common lament among smaller importers. So Palazzi did what became a recurring feature of his career: When the conventional system didn’t work for him, he worked around it. He began distributing his own spirits in New York, selling bottles himself. To this day, PM Spirits consists of two businesses: a New York wholesale operation, in which his company self-distributes the products in the state, and an importing business that supplies distributors throughout much of the rest of the nation. (Palazzi and his family moved from Brooklyn to Miami in 2019.)

Bit by bit, drinkers started to pay attention. Palazzi returned to France and discovered Armagnacs and Calvados that he thought worthy of attention, and began importing those as well.

He visits each distillery to assure himself that it’s managed by artisans, not accountants. “We meet the people—we need to be like-minded individuals,” Palazzi says. It’s telling that his online directory of imported products often features pictures of the producers, not shots of stills or barrel houses. “It’s meaningful,” says Kate Perry, U.S. market manager for La Maison & Velier, who met Palazzi in 2014 and has partnered with him in importing and marketing his spirits in the U.S. “They’re real—real farmers, real people, real communities. A very personal thing, which is not often the case with spirits brands.”

His explorations have taken him far beyond French brandies, and his portfolio has expanded to include whiskies, rums, agave spirits, eau de vie, and liqueur—all ticking the boxes Palazzi has set out, foremost among them being that he likes drinking them. Palazzi has also partnered with likeminded others in collaborative ventures. “We see if we can work together and do something that’s cool and tastes very good, and that I can afford,” Palazzi says.

Perhaps the best known of his “collabs” is the partnership with Equipo Navazos, a boutique sherry producer in Spain. Palazzi came across this sherry at a wine dinner organized by Levi Dalton in New York, and later toured Spanish bodegas with co-founders Eduardo Ojeda and Jesus Barquin. Ojeda and Barquin took an approach to sherry similar to that embraced by Palazzi: find and market excellent, distinctive sherries crafted by independent producers.

The trio soon partnered on a line of spirits, starting with Spanish brandy that had been aged in sherry casks in hot, dry Spain—a process that transformed a middling brandy into something worthy of a snifter. They later applied the same method to other spirits, including gin, Spanish whiskey, and rum, all sold under the Navazos-Palazzi label. Their rum in particular attracted fans. A Caribbean rum aged five years in ex-bourbon casks and then further in oloroso sherry barrels for more than a decade, it was praised by critics for its notes of quince, walnut, and caramelized roasted meat. In one review, the taster concluded that the rum evokes a full, festive meal in a glass. Palazzi has also released his own branded line of PM Spirits, which includes Cobrafire, launched in 2016. It’s an unaged Armagnac, produced with Domaine d’Espérance, sold as an eau de vie de raisin.

A “drink less, drink better” ethos has spread in recent years, as spirits fans consume less but are willing to spend more on higher-caliber bottles. In some ways, the buying public has caught up with Palazzi, who has become an inadvertent avatar of this movement. There is something almost stubbornly old-fashioned about his approach. It’s not exactly a recipe for building a mass market. But that’s never really been the point. “I don’t have any marketing money,” Palazzi says with a shrug. Finding great spirits is easy, he says. Getting people to try them (and, importantly, buy them) is much harder. “So the only thing that I can do is put a product on the market that looks cool and tastes very good, then try and convince people it’s worth their attention and their money.”

“I think it’s gotten to the point that putting the PM Spirits stamp on something says Nick has tasted this,” says Huston, “and that means it’s really good quality. Maybe his audience is 50 people.” And she appreciates that Palazzi’s approach is essentially: “How about I bring this beautiful thing in for those 50 people?”

Radio Imbibe Episode 46: Nicolas Palazzi of PM Spirits

Armagnac, cognac, interview, Nicolas Palazzi, ImbibeNicolas Palazzi
Episode 46: Nicolas Palazzi
Radio Imbibe

The cover story of our March/April 2022 issue features brandy, and for this episode, we wrap up our coverage of the spirit with Nicolas Palazzi. Born in Bordeaux and now living in Brooklyn, Palazzi is the founder of PM Spirits, an importer and distributor of specialty spirits, including Cognac, Armagnac, and Calvados. For this episode, we talk with Palazzi about his search for memorable barrels of brandy, what he looks for in great brandies, and his work to bring these spirits to an American audience. 

Radio Imbibe is the audio home of Imbibe magazine. In each episode, we dive into liquid culture, exploring the people, places, and flavors of the drinkscape through conversations about cocktails, coffee, beer, spirits, and wine. Keep up with us on Instagram, Twitter, and Facebook. And if you’re not already a subscriber, we’d love to have you join us—click here to subscribe.  

https://imbibemagazine.com/podcast/radio-imbibe-episode-46-nicolas-palazzi-pm-spirits/

BRANDY - From Cognac to California, the historic spirit’s influence runs deep.

Interview, L'Encantada, Cognac Frapin, cognac, Cognac, Brandy, ImbibeNicolas Palazzi

JUICY FRUIT

From vineyard or orchard to bottle and bar, brandy’s influence runs deep.

Cognac, Armagnac, applejack, schnapps—in whichever form brandy is found, these spirits made from fruit have no parallel in the glass. While whisk(e)y, tequila, and rum get lots of love these days (deservedly so) from cocktail lovers and spirits drinkers, brandy is evolving and emerging on its own terms, slowly building a fan base to take this timeless spirit into the future.

We’re taking a closer look at today’s world of brandy—the ways it’s made and appreciated around the world, the details behind its complex production, and the reasons it should be the next bottle you reach for when cocktail hour rolls around.

Nicolas Palazzi

Bordeaux-born and Brooklyn based, Palazzi is the importer behind PM Spirits, specializing in independent spirits such as L’Encantada Armagnac, Cognac Frapin, and Cobrafire eau-de-vie de raisin.

“Something that’s really cool is when you’re in a brandy cellar, with 50, 60, 100 casks in front of you; even if they’re from the same batch of distillation, every cask is its own world. You could taste 15 casks distilled the same day, and you’ll find tremendous differences between them—whereas something like bourbon would be very consistent. There’s so much aroma and flavor profile available in brandy. If someone thinks Cognac is just one thing and it’s boring or they don’t like it, I assure you, I can find a single-cask Cognac that’ll blow your socks off. It’s a world that deserves to be discovered, for sure.”

https://www.dropbox.com/s/mel2ts24hjap0oq/MA22-Imbibe-Brandy.pdf?dl=0

In Search of the Ultimate Freezer Martini

la Quintinye, martiniNicolas Palazzi
Screen Shot 2021-05-18 at 4.44.48 PM.png

We asked 10 of the world's best bartenders to submit their finest recipe for the pre-batched Martini—then blind-tasted them all to find the best of the best.

It’s been nearly a year since PUNCH conducted a new edition of the long-running “ultimate” blind-tasting series. In the age of COVID-19, such close gatherings of drink judges, sipping from successive versions of the same cocktail, all prepped by a guest bartender, were strictly a non-starter.

So, with COVID Nation still very much a thing, what drink could safely bring the series back to life? The prebatched, prechilled Martini, naturally. The prefab format of the classic—which was an established trend and served in many bars before the pandemic arrived—is perfectly suited to this new at-home era.

On a recent Monday, I was joined by PUNCH editors Talia Baiocchi and Chloe Frechette and bar owners Meaghan Dorman (Raines Law Room, Dear Irving) and St. John Frizell (Fort Defiance, Gage & Tollner) via Zoom to taste through 10 batched Martinis submitted by bartenders from the United States and England. The drinks had already arrived via contactless delivery. Judges were instructed to keep the mini-bottles in the freezer until tasting time.

Though batched cocktails can be controversial—many people are attached to the ritual of a bartender making their drink on the spot, particularly when it comes to the Martini—the panel convened with no prejudices. “We’re longtime fans of freezer Martinis,” said Frechette, who added that she thought batching was the way to prepare spirit-forward recipes during quarantine. Dorman agreed that premade drinks are an ideal fit for the current times, when most folks are entertaining at home for themselves and maybe a partner or roommate. “I think you should treat yourself right now and this is the way to do it,” she said.

This particular tasting brought to the table a few new variables that wouldn’t apply in a standard sampling of Martinis. Dilution had to be addressed anew. Since the cocktails are designed to simply be pulled from the freezer and poured, they weren’t receiving their dose of softening water through the usual spin in a mixing glass filled with ice. Instead, water was added directly to the batch and had to be precisely portioned out. Too much or too little could prove disastrous. One Martini in the running didn’t make the cut because the judges thought it too strong—i.e., lacked sufficient H2O. Another suffered from a surplus of added water, rendering it weak and, well, watery.

Temperature, too, was an important factor. Martinis are expected to be cold, naturally, but these freezer-born numbers were particularly icy—a consideration the bartenders had to factor in when choosing their ingredients and honing their ratios. “Martinis in this format dull the aroma and the alcohol comes forward,” explained Baiocchi.

That issue notwithstanding, the panel was surprised by the variety of character they encountered from one glass to the next. And, as would be expected in any sampling of signature Martinis, there were some odd flights of fancy. One recipe called for both sherry and peated Scotch; another included a hefty dose of absinthe. The judges didn’t necessarily dislike either drink; they simply didn’t read as Martinis.

Finding favor was a unique specimen submitted by Orlando Franklin McCray of Brooklyn’s Nightmoves, who put together high-proof, saffron-tinged Old Raj gin, La Quintinye Extra Dry vermouth and orange bitters. The judges liked the concentration of bold flavors but thought the recipe would have benefited from higher dilution.

With the vast changes in bar regulations brought on by COVID, Frizell said that he both hopes and expects to see more prebatched cocktails on the market when the pandemic recedes and bars fully reopen.

“My hat is off to the New York State Liquor Authority for the first time in my life, for freeing up the rules so quickly,” he said. “We’re able to do so many things now that we would have lost our license for before.”

For the time being, however, he’s doing what most every other cocktail lover has been doing for the past year: shaking up his own at home. “I’ve been drinking my own Martini almost every day,” said Frizell.

https://punchdrink.com/articles/ultimate-best-freezer-frozen-pre-batched-martini-recipe/

NEAL BODENHEIMER'S OLD HICKORY

vermouth, la Quintinye, recipeNicolas Palazzi

Mastering the Old Hickory With Neal Bodenheimer

The obscure vermouth classic gets retooled with an eye toward more flavor and less dilution.

The “raisinated vibe” and wormwood bitterness of La Quintinye Blanc forms one half of the 50/50 vermouth split.

The “raisinated vibe” and wormwood bitterness of La Quintinye Blanc forms one half of the 50/50 vermouth split.

If you’ve never heard of the Old Hickory, you’re not alone. A simple 50/50 mix of sweet and dry vermouths punched up with bitters, this low-proof classic has long existed in the shadow of the Bamboo and Adonis. Neal Bodenheimer wants to put it center stage.

Though he started workshopping the drink at his New Orleans bar Cure, he “really dug in,” as he describes the process, on the Old Hickory for Dauphine’s, a New Orleans–inspired bar and seafood restaurant slated to open this spring in Washington, D.C.. “It felt modern, and like things I wanted to drink,” he explains of the simple build. However, “it felt like a cocktail that never really got its due.”

Part of the New Orleans canon of cocktails, the Old Hickory first appeared in print in Stanley Clisby Arthur’s 1937 book, Famous New Orleans Drinks And How to Mix ’Em. Supposedly, “Old Hickory” was a nickname given to General (and later U.S. president) Andrew Jackson, a reference to his fortitude as he led troops through the Battle of New Orleans in the winter of 1814-15. Although Arthur writes that the drink was Jackson’s “favorite tipple,” Bodenheimer dismisses the claim: “I don’t think people were drinking vermouth in America in 1850.”

Though his vision for the Dauphine’s interpretation is a pre-batched version, Bodenheimer preserves elements of the cocktail-making ritual. The format coalesced at an event held at New York’s James Beard House in September 2019, intended as a preview for Dauphine’s. For the seated dinner with cocktail pairings, Bodenheimer sought out food-friendly pours, and the vermouth-forward Old Hickory seemed like a natural fit. Yet, stirred with ice, it felt too thin and watered-down. The solution was to pre-batch the vermouths and refrigerate the mixture until ready to serve. Bitters were stirred in at the last minute—“bitters expand in a batch over time, so I keep them out,” says Bodenheimer—and the mixture was then poured over a large ice cube and quickly served. The end result presented like a cocktail, but retained the texture of wine.

“We said, ‘What if we made it like an Old-Fashioned setup, and less like a vermouth cocktail?’” he recalls. “We always had our vermouth in the fridge anyway, so we always had a chilled vermouth bottle.”

https://punchdrink.com/articles/mastering-old-hickory-vermouth-cocktail-recipe-neal-bodenheimer-dauphines/