PM Spirits

Provider of Geeky Spirits

Mezcal,Navazos Palazzi

Wine Spectator: Why Vermouth Is the Perfect Bridge to Cocktails for Wine Lovers

vermouth, Nicolas Palazzi, Navazos PalazziNicolas Palazzi

And why you should be storing this Martini staple in the fridge

By Kenny Martin

For decades, vermouth has been accumulating dust on the back bar, where a lonely green bottle waits to be used sparingly—if at all—in a dry Martini.

Luckily for wine and spirits lovers, change is in the air. In the past decade, established brands have upped their game, and small producers are making outstanding versions in both traditional and experimental styles. Vermouth generally offers excellent value, with most bottles priced less than $40. And vermouth is highly versatile—suitable for sipping on the rocks, mixing up a cocktail or savoring straight from a wineglass.

“Vermouth is the best of both worlds for me as a wine person,” says Madeline Maldonado, beverage director at José Andrés’ Mercado Little Spain. Its versatility, range of styles and ability to express terroir make it a natural bridge between wine and spirits—and a stylish addition to any home bar.

With soaring quality and diversity, there’s never been a better time to appreciate this fortified and aromatized wine.

What Is Vermouth, and How Is It Made?

Traditionally, the base wine for all vermouth is white. Most sweet vermouths get their color from a combination of sugar, botanicals and sometimes colorants. Spirit is added to the base wine, which results in an alcohol by volume between 13 and 22 percent. Alec Kass, who has assembled a list of over 200 vermouths as beverage director at New York’s Rosevale Cocktail Room at the Civilian Hotel, says vermouth “is closer to wine, in many respects, than it is to spirits.” It can be drunk straight, in a wineglass, on the rocks or in a dazzling array of cocktails.

Vermouth’s defining botanical is wormwood. (The name “vermouth” may have come from wermut, the German word for wormwood.) While some countries require the inclusion of at least a little wormwood in order for something to be called “vermouth,” most producers don’t use much. And some, particularly those in the New World, avoid wormwood entirely. Other common botanicals include gentian, cinchona, rhubarb, cinnamon and citrus, and the number of botanicals in vermouth can range from a mere handful to more than 50.

There’s evidence that fortified and aromatized wine, some of which included wormwood, was produced across the ancient world, from China to Greece and beyond. Wine was commonly fortified for preservation, and botanicals were often added for purported medicinal benefits. While doctors today are unlikely to espouse vermouth as a cure-all, its appetite-stimulating properties give it a starring role in aperitivo hours across the globe.

Sweet

Sweet vermouths deliver complexity of flavor—from bitter to nutty, piney to fruity—that few beverages can match.

Navazos Palazzi

Spain | $32 | 17.5% ABV
A collaboration between the boutique Sherry négociant Equipo Navazos and the importer Nicolas Palazzi, this standout boasts a base of oloroso Sherry aged five years in oak. Red currant, pumpkin pie spices, Mexican chocolate, salted nougat.

https://www.winespectator.com/articles/vermouth-ultimate-guide-and-explainer

Imbibe Magazine: 13 to Try: Vermouths

Navazos Palazzi, Nicolas Palazzi, vermouthNicolas Palazzi

NAVAZOS-PALAZZI VERMUT ROJO

Some of the most lusciously drinkable vermouths these days are coming from Spain. And this arresting rojo proves that sippable doesn’t mean simplistic. Hailing from Jerez, this oloroso-based vermouth from wine and sherry negociant Equipo Navazos and self-described “provider of geeky spirits” importer PM Spirits is as sultry and elaborate as they come. It features a texture so robust it’s almost chewy and a skillfully stacked set of floral botanicals and spice that rings every aromatic bell. Pour it over ice to taste its flavors slowly unfurl. Or mix it into a mezcal Negroni if you want to blow the roof off the place. $34.96, astorwines.com

https://imbibemagazine.com/vermouths-to-try/

the Philadelphia Inquirer: We tried almost 40 bottles of locally available tequila and mezcal—here are the 16 best

Best of, Cinco Sentidos, NETA, MezcalNicolas Palazzi

Mezcals and tequilas are the most complex, biodiverse and terroir-driven spirits on the planet. Our tasting panel named 16 favorite agave spirits at a range of price points.

I’m usually all about gifting whiskey come December. But I decided it was time for a change after a memorable reporting trip to Mexico this year following restaurateur and tequila producer David Suro on an epic agave spirits journey across Jalisco and Michoacán. Visiting with revered mezcaleros and tequila artisans was eye-opening and educational. It also reaffirmed my belief that agave spirits are the most complex, biodiverse, and terroir-driven spirits on the planet.

So grab your copitas, mis amigos! It’s time to take my annual holiday booze list south of the border.

With nearly 40 bottles to consider on the tasting table at my house recently, my jicara gourd cup was overflowing. The mere task of assembling these candidates was daunting. The agave spirits market has exploded with international interest but also become fraught with over-industrialization, celebrity label nonsense, and concerns about sustainability.

So I asked Suro, whose restaurant Tequilas is still under reconstruction from a February fire (a reopening is planned for spring), to help winnow them down. I focused on additive-free bottles made largely with traditional methods, all available in the Philadelphia area. Only a handful of tequilas made the final cut. (Suro’s own excellent Siembra Azul brand, which I recommend, was excluded.)

This final list of 16 recommendations is focused on mezcals and their counterparts, distillados de agave, which are essentially mezcals made outside Mexico’s officially designated areas of mezcal’s Denominación de Origin. Tequila is, in fact, one kind of mezcal, but its production methods are typically different and legally can be made from only one variety, Agave tequilana azul Weber, or “blue agave.”Mezcals can be produced from as many as 58 different kinds of agave — every batch is distinct, a reflection of terroir, craftsmanship, and local culture.

As a result, quality mezcals can be relatively more expensive, said Dan Suro, 27, David’s son, partner, and beverage manager at Tequilas, who helped lead our tasting.

“Mezcals were not meant for capitalism. They were were meant to be shared among communities,” he said. “Some batches are just 60 or 70 liters, and take over a month to make from plants that can be 20 years old and are under too much economic pressure right now (due to demand). Yeah, we should be paying $150 or more per bottle to support them.”

“There’s often a big difference,” Dan Suro says, “between premium-priced agave spirits and premium agave spirits.” We focused squarely on the latter, and this list showcases a range of prices. Some bottles are limited, by nature. But all are currently available either through Pennsylvania Fine Wine and Spirits (several by special order only), or in noted South Jersey retailers such as Benash Liquors in Cherry Hill, the region’s prime destination for coveted agave spirits, or Clayton Liquors in Gloucester County, whose growing collection can be sampled at the in-store “Tequila Temple” bar. Philadelphians, meanwhile, can preview many of these gems at agave-forward restaurants like El Mezcal Cantina, Cantina La Martina, La Llorona, Grace & Proper, Vernick Fish, Martha Bar, Condesa, Sor Ynez, and Superfolie. Of course, Tequilas will likely set the standard once again when it reopens in 2024.

Small Batch Mezcales

Neta Espadín Capón

Any perceived bias about the limitations of espadín, the most ubiquitous agave used in mezcal, should be punctured by this gorgeous spirit from Miahuatlán in Oaxaca. Ripe orchard fruits of pear and peach burst through the nose, with well integrated smoke that unfurl.

5 Sentidos Espadín-Cuixe-Madreculxe

An ensamble blend of three agaves (espadín, cuixe, madreculxe)is roasted together underground over mesquite and oak, crushed by hand mallets, and distilled in copper. This 70-liter batch was aged 15 years in glass, which allowed this rambunctious, high-proof spirit to harmonize impressively into rounded flavors that come in waves on the palate with a profile Dan Suro called prototypical Mihuatlán: dried green apples, pepper, and umami lingering on a gentle smoke. 5 Sentidos Espadín-Cuixe-Madreculxe, 101 proof, 750ml.

https://12ft.io/proxy?q=https%3A%2F%2Fwww.inquirer.com%2Ffood%2Fcraig-laban%2Ftequila-mezcal-tasting-holiday-gifts-suro-20231214.html

Vinepair: The 50 Best Spirits of 2023

Best of, eau de vie, Mezcal, Cinco Sentidos, Cobrafire, Domaine d’EsperanceNicolas Palazzi

Dozens of categories considered, thousands of bottles tasted, and almost 12 months in the making, the publishing of VinePair’s 50 best spirits list marks a major milestone in our calendar and one of our favorite annual traditions.

Consider it not a bonafide buying guide — those can be found here — and instead a highlights reel of the best spirits that graced our palates this year. While we recommend picking up any and all you encounter, or ordering a pour from a bar list, the popularity of certain categories and brands, coupled with the limited nature of some of the releases, means the probability of being able to do so varies wildly from one bottle to another. One constant that links them all, however, and the reason each features on this list: It would be a spirited crime not to honor their existence.

So what made the cut? This year served us no end of imaginative and successful experiments; reminded us that stalwart go-tos carry such reputations for a reason; and encouraged us to look beyond the expected from various regions and nations. Prepare for “bog aged” oak, Mexican eau de vie, and countless representations of brown spirits from non-age-stated to cask strength, single-barrel, experimental finishings, and ultra old.

44. Cobrafire Eau de Vie de Raisin

Chances are, you probably missed the launch of the Blanche d’Armagnac (white Armagnac) appellation back in 2015, but you shouldn’t sleep on the products within the category. This 50.5 percent ABV offering from PM Spirits’ Cobrafire project dances between stone fruit brightness and umami-rich savoriness, and promises to leave a lasting impression.

34. Cinco Sentidos Espadín Capón Alberto Martinez

The “capón” technique referenced in this spirit’s name sees growers remove the sprouted stalks (quiotes) from agave, then leave the plants in the ground for extended periods to enhance sugar concentration. The wait is certainly worth it for this bright, fruity spirit, which shatters any notion that Espadín is a characterless, “workhorse” agave variety.

https://vinepair.com/buy-this-booze/best-spirits-2023/

Vinepair: The 7 Best Mezcals to Gift This Holiday (2023)

NETA, Vinepair, Best of, MezcalNicolas Palazzi

Mezcal has been riding shotgun with tequila on its soaring stateside rise, and new expressions are debuting on the U.S. market left and right. But unlike tequila, which can only be produced in Jalisco using Blue Weber agave, mezcal can be distilled in nine different Mexican municipalities with roughly 40 different strains of the agave plant, making it a diverse and terroir-driven spirit. And although mezcal is rarely aged, it’s a spirit built on patience: It requires an involved, multi-day cooking process during which agave hearts are crushed and roasted in underground pits prior to fermentation. Even the agave itself can take up to 25 years to mature, making the mezcal it produces a treat that should be savored in good company.

To help you decide which one to purchase for the agave enthusiast in your life, we’ve put together this list of the best mezcals to gift this holiday season. Check out our list below for recommendations ranging from affordable, entry-level Espadín mezcals all the way to small-batch expressions from the nooks and crannies of the Oaxacan mountains.

Best Mezcal for Geeks

Ixcateco Papalome

If you already have a few Espadín mezcals on your back bar, take this chance to explore the rare Papalomé (meaning “butterfly” in Nahuatl) variety. It’s a wild-harvested agave and often compared to Tobalá, which is smaller and more compact than most varieties. This particular expression is made with traditional, rustic production methods, including fermentation in rawhide and distillation in clay pots that lend themselves to a funky, intriguing palate. Wafts of leather and earthy minerality are prominent on the nose, followed by a sweet-and-savory palate starring fire-roasted corn.

Best Limited-Edition Mezcal

NETA Tequilana Ramón and Wilfrido García Sánchez

We’re unabashed fans of NETA here at VinePair, and you’ll see why if you get your hands on this home-run release. This one is made from Tequilana (a.k.a. Blue Weber agave), the agave used in tequila production. Produced in Oaxaca by the talented mezcaleros and brothers Ramón and Wilfrido García Sánchez, this rare expression dishes up a plume of tropical fruit, minerality, celery, and peppers. On the palate, the fruit character shines even brighter with a hint of diesel-like funk on the finish. Only a little over 400 bottles of this spirit were produced, but it’s worth the hunt, and should definitely be savored over time. Drink this one on its own or with a side of birria tacos, and you’re in for a treat.

https://vinepair.com/buy-this-booze/best-mezcals-to-gift-2023/

Wine Enthusiast: Why Spanish Brandy Needs a Rebrand

Brandy, Equipo Navazos, Navazos Palazzi, PM Spirits, Nicolas PalazziNicolas Palazzi

There are many garish bottles on liquor store shelves, but none do more peacocking than Brandy de Jerez. Surely, you’ve noticed the bottles I’m talking about—even if, like most people, you’ve never bought one. Most Spanish brandies boast crimson or gold labels. One dons a pretty ribbon, while a rival sports an intricate faux-gilded pattern. Some are affixed with regal wax seals, while others announce their presence in fancy Renaissance-Faire-ish fonts. Then there are the courtly names themselves: Carlos I, Cardenal Mendoza, Gran Duque d’Alba.

“Subtlety isn’t the middle name of Jerez’s brandy men,” once wrote spirits critic F. Paul Pacult in his encyclopedic guide, Kindred Spirits.

In the past, I’ve described Brandy de Jerez as that buddy who tries just a bit too hard—the one with the flashy watch, the giant belt buckle, the ridiculous gold chain or too much cologne. Sometimes, when I open a bottle, I feel as though I should be wearing a ruffled collar, like a courtier of Philip IV. Regardless, I happen to enjoy Brandy de Jerez. I believe, for instance, that it works better in many classic brandy cocktails than Cognac. But I often feel like the odd one out with this opinion.

My big takeaway? Spanish brandy is in desperate need of a rebrand, and there has mercifully been a small movement toward change in the right direction. But before I get into the signs of hope for Spanish brandy, it’s important to consider the larger state of affairs.

Last year, François Monti, a drinks writer based in Madrid, called out Spanish brandy in his industry newsletter, Jaibol. The rant was prompted by Monti’s outrage over a historic Brandy de Jerez brand’s attempt to reinvent itself as a drink to be mixed with Coca-Cola. Brandy de Jerez, Monti writes, is an appellation “not very clear about where it is going.”

It remains a fact that fewer and fewer people drink Brandy de Jerez. Since 2008, total sales have dropped from 45 million liters to around nine million liters, with consumption dropping 30 percent between 2012 and 2016 alone. During the last decade, exports fell an additional 15%, and things continue to trend downward. Spanish brandy’s largest export markets are now the Philippines and Equatorial Guinea—the latter consuming six times more Brandy de Jerez than the U.S.

Why is this? In his newsletter, Monti minces no words. “Brandy de Jerez does not stand for the quality of its raw material,” he writes. Terroir also means little: “It is very complicated to talk about the terroir of Brandy de Jerez… the vast majority of the raw material comes from outside the [Sherry] triangle,” the historic region bounded by the city of Jerez on the east and to the northwest and southwest respectively, the ports of Sanlúcar de Barrameda and El Puerto de Santa Maria.

It’s hard to say what terroir (or transparency) even means for Brandy de Jerez. The name itself invokes the city in Andalucía that’s famous for Sherry. But the grape mostly used for the brandy is not Palomino (as with Sherry) but Airen, an insipid neutral grape said to be the most planted in the world, grown mostly on agribusiness vineyards in La Mancha. Most of the brandy is distilled outside of the Sherry triangle, what the regulatory council calls the “processing zone,” before it comes to age in the vast solera cellars back in Jerez. By law, Brandy de Jerez must age in Sherry barrels, but there’s little differentiation between brands.

Then there are Spanish brandy’s elevated sugar levels: Up to 35 grams of sugar per liter is allowed. This sweetness goes against the current consumer demands for drier spirits.

Finally, Monti called out the dated, stodgy brand image:

“Emperors, cardinals, aristocrats, great battles of Catholicism: the names and image of some of the brands are an obstacle for a more modern consumer. Carlos I, a brand that has made a great effort to modernize its image and that has a clear strategy of going towards the premium segment, still mentions on its website ‘Spirit of Conquest.’ ¡Ay!”

It adds up to a spirit that the younger generation in Spain sees as hopelessly old-fashioned, the drink of their grandfathers—with a cringe-y legacy of being cosa de hombres (“a man thing”) as this television ad for Soberano from the 1960s suggests. (Even darker was this horrible ad.)

All of this is a shame. I have been a big advocate for Spanish brandy over the years. Back in 2015, Monti and I actually presented a panel on the spirit at Tales of the Cocktail. Even then, we spoke about the same challenges that Brandy de Jerez faces today, which tells you how little has changed in the past eight years.

At the time, we implored brands to re-evaluate the high sugar content and additives in a world that wants products that are dry and additive free. We bemoaned the low level of alcohol by volume. Most of it is imported into the U.S. at just 40%, but much of what’s sold in Spain and elsewhere falls below even that, down to 36% abv. We even wore ruffled collars to underscore silliness and outdatedness of the category’s imagery.

In Monti’s article, the last straw for him was the suggestion of combining brandy with Coca-Cola, pushed by one big brand’s marketing department. He pointed out a similarly misguided marketing attempt a decade ago by the producers of Calvados, a similarly troubled spirit, who tried to push something called the Calvados Tonic. In France, Calvados Tonic was an unmitigated failure as a marketing campaign. The Spanish-brandy-and-cola, I believe, will meet the same fate. “One of the most uncomfortable truths in the spirits industry is that hardly any recent trends have been created by brands,” Monti notes.

The real challenge for Brandy de Jerez is to understand what premium spirits drinkers really want. But there are signs of hope in a growing number of smaller producers who are more transparent about origin and aging.

Among them is a project by Sherry negociant Equipo Navazos, which has partnered with importer Nicolas Palazzi of PM Spirits to release a series of single-cask brandies, all without additives and bottled at cask strength.

On several occasions, I’ve tasted these brandies from the barrel with Eduardo Oreja of Equipo Navazos. These are racy, elegant, dry brandies that still retain the rich, dried fruit and full-bodied characteristics of classic Brandy de Jerez. This is revolutionary stuff.

“I had always associated Spanish brandy with some subpar version of Henny VS, some dark syrupy crap that makes the floor sticky if you drop some,” says Palazzi. That was before he tasted Equipo Navazos’ casks. “My mind was blown. I realized that at its core the additive-free product can be magnificent.”

I love the Navazos Palazzi 7-year-old aged in amontillado cask. This unique brandy was made from 100% Pardina (an obscure grape I didn’t know) and bottled at cask strength, 42.5% abv. You can find it here and here for $80. There are also still a few rare bottles of the stunning Navazos Palazzi fino Sherry cask floating around (such as here), also for around $80. For a premium brandy, something like this under $100 is well worth grabbing.

Navazos Palazzi’s most recent brandy release is aged in Pedro Ximenéz casks (bottled at 43% abv) is delicious, rounder and darker than the amontillado or fino casks. Though the cask is part of a classic solera, the average age of the brandy is at least 35 years old. It’s slightly pricier, at around $130 per bottle.

While those single-cask selections may represent the zenith of Brandy de Jerez production, I still also recommend checking out a few of the classic expressions for comparison. I’ve always liked Lepanto Solera Gran Reserva, which at under $50 is a very good value, and relatively easy to find. Instead of Airen, Lepanto uses the same Palomino grape from which Sherry is made. The result is a brighter, nuttier and more complex brandy than most in the category.

And if I ever want to remind myself what old-school Spanish brandy is like (complete with garish label and packaging) I go for the Gran Duque d’Alba. The Duke brings all that big sweet, ripe, creamy, molasses flavor, though you can still feel the attractive notes of the Sherry cask. For $40, it’s a solid cocktail pour.

Mix it in the classic brandy cocktails we talked about a few weeks ago and see for yourself. My personal favorite is a drink I call the Little Madrid (recipe below). With all apologies to my colleague Monti in Madrid, you might also even enjoy it with a Coca-Cola.



https://www.wineenthusiast.com/culture/spirits/spanish-brandy-rebranding/

Imbibe: In Mexico, Families Balance Generations of Mezcal Tradition With Modernization

Mezcal, Cinco Sentidos, NETANicolas Palazzi

 TÍO TELLO

Eleuterio Perez Ramos, or “Tío Tello’’ as he’s known among the small community of El Nanche in Oaxaca’s Miahuatlán region, scrambles to cover his freshly roasted agaves. A rare, spring hailstorm has settled over his newly built palenque (mezcal distillery). Tío Tello roasts agave only a few times a year, and almost always in the dry season. Small batches can mean higher risk when you’re making, at most, 2,000 liters of mezcal a year. Any loss is deeply felt, and waterlogged agaves pose specific challenges requiring years of experience to overcome.

Tío Tello’s a little over 70 and sometimes walks with a cane, but he moves quickly when the safety of his agave is at stake. He gathers a mix of bamboo mats and plastic sheets, to protect them from the hail. These agaves took between 10 and 20 years to mature—they could be ruined in an instant.

His youngest son, Eduardo “Lalo” Perez Cortés, works in tandem, doing more of the heavy lifting, moving the agaves to safer shelter while directing two neighbors who are here to pitch in. At 32, Lalo’s the youngest of Tío Tello’s eight sons, deeply tanned and baby-faced, with a bright smile and a compact, strong frame. Some mezcaleros tend to have a quiet, wiry strength from constant manual labor—chopping and mashing agaves by hand is among the hardest work around.

EDUARDO “LALO” PEREZ CORTÉS

Tío Tello and Lalo work with an easy yet practiced rhythm. Lalo’s worked under his father’s tutelage since he was a toddler. Lalo studied accounting in school, but returned to El Nanche to work with his father, and now lives with his wife and two children within sight of their new palenque. It was finished in late 2022, but Tío Tello has been working this rugged piece of land for more than 30 years.

Miahuatlán is a little over two hours’ drive southwest of Oaxaca City, at the edge of the central Oaxacan valley along the Sierra Madre del Sur. Past low, rolling hills and endless variations of brown scrub punctuated by neatly planted fields of agave, down the road from the massive federal prison outside the town of Mengoli de Morelos, sits El Nanche.

Mezcal lovers will tell you that this unforgiving corner of the valley is where the best mezcal in Oaxaca, potentially even in all of Mexico, is made. Spirits produced in pristine environments are frequently romanticized, but the harshness of Miahuatlán seems to provoke a certain intensity of the spirit. High-toned, mineral-forward, and with a marked salinity, these mezcals are unmistakably of Miahuatlán. It could be the terroir, the astonishing biodiversity of agaves, or the technical precision of the region’s producers, but another answer seems simpler: There’s immense value in the generational knowledge passed down in close-knit, extended families of mezcaleros.

OAXACA’S MIAHUATLÁN REGION.

Mezcal’s soaring global popularity has complicated an already complex generational handoff within Oaxaca’s rural communities. These families need to cope with the past while preparing for their future. Yet there’s only so much planning a family can do to secure their legacy. Ultimately, the next generation has many questions to resolve. Do they maintain the family “recipe”? With many of these families so rooted in tradition, even minor changes are magnified. Do they modernize and chase what could be elusive money through multinational liquor conglomerates? These days, opportunities exist in even the most remote parts of Mexico.

Tío Tello recalls that when he was 11 or 12, he started helping his own father by doing small errands. “I brought lunch and dinner at first, but then I would stay and keep him company,” he says. “Since that time, I’ve dedicated myself to the work of mezcal.” Lalo learned along the same path. By the time Lalo could walk, he was watching his father and grandfather make mezcal. The manual labor is essentially the same across generations: processing agaves by hand, scooping the bagasse—roasted and fermented agave fibers—from the wooden tanks into the still.

As a young man, Tío Tello and his family mostly worked with arroqueño agaves, sort of a super-charged espadín, along with bicuixe, a narrow karwinskii subspecies that looks like a giant matchstick once trimmed. The initial wave of modernization started in the 1970s with the introduction of new agave varietals from other parts of Mexico. Arroqueños take more than twice as long to mature as the sweeter and faster-growing espadín. Much of the old agaves were made into mezcal and then not replanted. The rustic field blends of Tío Tello’s youth, using whatever ripe agaves could be harvested at a particular moment, faded away as espadín began to dominate.

“The fermentation will talk to you. I sniff the tank every hour and have to make sure I don’t miss the perfect moment,” says Tío Tello. “It asks for water or tells you when it’s ready for the still. You have to listen.” Unsurprisingly, Lalo’s style is similar to his father’s, but he’s made some small adjustments, especially in how he blends his “cuts,” the crucial separations between the heads, hearts, and tails of the distillation. Together they continuously refine their blending techniques over each new batch of mezcal.

The new palenque promises a smooth handoff and a future for Lalo and his children, but “new” here is still relative. Three worn, wooden fermentation vats sit in the shade under a curved, corrugated metal roof. There’s no electricity or instrumentation, just a few open bulbs for late-night checking of the stills. The hail continues, but under the safety of the roof, Tío Tello’s neighbors continue processing the agaves by hand in a practiced dance—one shaving off chips of roasted agave with a machete, while the other smashes the pieces to bits with an old wooden mallet.

At the end of the day, Tío Tello has taught his son to embrace the rhythms of the palenque. The most important things he hopes to impart to his son, he says, are “preparation, organization, and punctuality.” These sometimes feel like totems of a bygone bucolic era, but this is the only way Lalo knows. “We’re making good, rico [tasty] mezcal that people like,” says Lalo. “We don’t need to change anything.

Logoche is a small community of a little over 100 people not far from El Nanche in Miahuatlán. The village is rightfully famous for its concentration of mezcal production, with many producers belonging to the Grupo Productor Logoche cooperative. There’s an openness to mezcal production here—possibly the result of everyone working together on a few palenques until very recently—and many producers are experimenting with technology alongside traditional practices.

Paula Aquino Sanchez is a dominating presence at her family’s palenque. She and her husband, Hermogenes, have recently become well-known mezcal producers in the United States. Their mezcal, bottled as part of the Neta label, sells for up to $200 a bottle. Likewise, Sanchez commands an unusual level of respect in a country and region where traditional, rigid gender hierarchies are omnipresent. She often takes the lead on mezcal production, but is now in a position where she can pick and choose how she contributes. She’ll occasionally make a batch herself, like the cuixe she pours, laden with so much rich, cooked agave flavor it tastes of maple syrup. Still, she makes the smallest batches among her family because “I’m always in the kitchen,” she says.

Despite that, her presence is inseparable from the palenque. While her husband and youngest son, Jorge, weigh massive, freshly harvested espadín agaves at more than 250 kilos each, Sanchez tours around her family’s agave fields, pointing out medicinal herbs and other rare plants. Paula and Hermogenes have three sons and a daughter. They all work together at the palenque and she recalls how, “after school, I would say to my children, ‘Today is the day we learn distilling, or today we learn fermentation,’ and I would make them do that exact activity.”

AGAVE HEARTS.

Balancing a traditional matriarch’s duties on a farm in Mexico alongside making mezcal is a lifestyle few people (even those in her community) can understand. Sanchez’s path was nontraditional and born from necessity. She has few memories of her father, who also made mezcal and died when she was 6 years old. Alongside her older brother Eugenio, who has since also passed away, she was making mezcal at a very young age, primarily as a breadwinner for her impoverished family. Like Lalo, she initially helped by bringing food to the older men working on the palenque—her grandfather, uncles, and older brother—but she was doing the difficult, manual labor at a much younger age. There were only a handful of palenques in Logoche at the time, so everyone worked closely together, sharing knowledge and techniques.

While her grandfather was the strongest presence in teaching her the art of mezcal production, she considers her late brother her mentor. Like Tío Tello, they were taught by the CRM to double distill mezcal in the 2000s. Sanchez says she prefers the double-distilled mezcal because the old style “gave me headaches,” and is proud of the technical precision she honed in distilling alongside her late brother.“We notate everything now, and I can see that it yields more. We make fewer errors and are always improving.”

Here, they use a modified wood shredder to process agaves. A new, unused tahona sits in one corner of the palenque. While her father and grandfather worked with a tahona, they switched to save time and labor. Now, their youngest son, Jorge, is advocating for the tahona, and they plan to return to the practice soon.

The blending of the old and the new is apparent everywhere in Logoche, but especially through Sanchez. She’s shrewd—over the past decade, making mezcal has given her and her children opportunities that would have been unfathomable even a decade ago—but she still must work within the traditional Mexican patriarchy, balancing all of the work of home and family alongside the grueling labor of making mezcal.

Sanchez respects what she learned from her grandfather and brother, but her focus is forward. She’s proud of her family’s mezcal, but sees room for improvement and refinement. Even with all of the changes she’s witnessed, the traditional culture surrounding mezcal remains.

https://imbibemagazine.com/the-mezcal-families-oaxaca-mexico/

Good vermouth makes a great aperitif, fueling a delightful transitional moment before a meal.

vermouth, Navazos Palazzi, Nicolas PalazziNicolas Palazzi

Navazos Palazzi Vermut Rojo Jerez de la Frontera, 17.5 percent

This excellent vermouth is a collaboration between Equipo Navazos, a boutique sherry négociant that has been instrumental in the revival of sherry over the last 20 years, and Nicolas Palazzi of PM Spirits, which imports small batches of extraordinary spirits. The stamp of oloroso is clear on this lightly sweet blend. It is infused with spices and herbs to create a mellow, complex vermouth that refreshes as well as intrigues.

…PM Spirits, which imports small batches of extraordinary spirits.

https://www.nytimes.com/2023/07/20/dining/drinks/vermouth.html

SPIRITS: THE TIP OF THE ICEBERG

Best of, Brandy, Capreolus, CHÂTEAU DE LEBERON, Armagnac, cognac, Cognac Frapin, DOMAINE D’AURENSEN, Equipo Navazos, L'Encantada, Laurent Cazottes, Navazos Palazzi, Nicolas Palazzi, Pere Labat, PM Spirits, review, Rhum, RocheltNicolas Palazzi

BY ANTONIO GALLONI | DECEMBER 08, 2022

It all started innocently enough. Over the last few years, I have seen a marked increase in spirits made by winemakers. I thought it would be fun to taste them and write them all up. That was the genesis for this report. But then more and more samples arrived, and before I knew it, the article had morphed into a broad survey of spirits of all kinds. This article is clearly not comprehensive to any one category, but rather intended as a collection of spirits I think Vinous readers will enjoy.

As I started tasting through these spirits, I wondered if my approach to tasting wine and Champagne would be applicable, or if instead, I needed an entirely new methodology for looking at quality. I asked myself if there are really marked differences between several raspberry eaux de vie, for example. It turns out spirits can absolutely be assessed for aromatics, fruit, texture, finish and a number of criteria used in evaluating wine. If anything, the alcohol in most categories acts as an amplifier of those qualities and also accentuates both strengths and flaws. And yes, raspberry eaux de vie can be very different.

Where possible I have indicated lot numbers, although these aren’t always available in the world of spirits. I would like to see that change so consumers can know they are buying the same product I tasted and reviewed. In this regard, parts of the spirits world share some basic principles with other beverages such as NV Champagne, but also soft drinks and beer, where the goal is to create a ‘consistent’ product from year to year. There are virtues in that, and it is a skill, but I believe small batch bottlings that are differentiated are far more interesting, certainly far more interesting for the inquisitive reader looking for something that is truly distinctive. For now, I have relaxed the rule I have for NV Champagne where I only review bottlings that have a base vintage or disgorgement date listed.

But that does make me wonder what the future is for craft spirits. About a decade ago, I sat in the Krug tasting room with then-CEO Margareth Henriquez and Olivier Krug and explained that I would not review their Grande Cuvée because there was no way to ensure the batch I tasted was the same wine in the market. I suggested adding a base vintage or disgorgement date, which would differentiate releases, make each release special, and then, in time create opportunities for thematic tastings and/or special packaging, like mixed cases. “Our customers have no interest in this information,” was the reply.

Readers might find this hard to believe, but at the time, the Grand Cuvée struggled mightily in the market. It did not sell. And this was not that long ago. For a time, the half bottles were dumped in elite New York City restaurants (likely elsewhere too), where they were sold for next to nothing. Then, Krug began experimenting with thematic names for each release, before settling on the Edition system. A stroke of genius. Guess what happened? For the first time ever, Grande Cuvée became an allocated wine. All sorts of comparative tastings emerged, as did boxed sets that offer a combination of releases.

To be sure, spirits are different. Many are made in tiny quantities and on a far smaller scale than wine or Champagne. Unlike wine, bottles are opened and often enjoyed over a period of time, so comparative tastings are less the norm. Even so, I would like to see better and more consumer-friendly labeling. There is a possible parallel with the world of grower Champagne, where an increasing number of producers detail varietal breakdown and the exact source of their fruit. Why would that not be applicable to a fine source of pears or raspberries for eau de vie, or a specific breakdown of lots in a Cognac? All information like that does is create greater consumer interest.

I tasted the spirits in this report in November and December 2022.

The Eau de Vie Damson Plum from Capreolus is laced with hints of dried fruit, crushed flowers, herbs, mint and red stone fruit. Exotic and nuanced the Plum Brandy is exquisite. It is an especially floral, savory plum spirit. This fruit was sourced in Vale of Evesham, This is bottle 118 of 336.

The Eau de Vie Raspberry melds together plenty of fruit character, but in a serious, almost imposing style. This is not an easygoing spirit at all. Then again, approximately 75 pounds of fruit yield one liter of eau de vie. Sweet floral and herbal accents add lift. There is a bit of angularity and that leaves the Raspberry feeling a bit tense next to the other eaux de vie in the range. This is bottle 257 of 301.

The Eau de Vie Quince is floral, lifted and also very refined on the palate. A spirit of understatement and class, the Quince is soft-spoken, with impeccable balance, fine length and tons of sheer appeal. Dried floral and herbal notes resonate on the finish, but it is the overall balance I am most drawn to here. This is bottle 48 of 116.

The Eau de Vie Poire Williams (100% Bartlett Pear) from Cazottes is fabulous. Creamy and textured, the Poire Williams soars out of the glass with stunning aromatic complexity. Soft contours add raciness to this decidedly polished, exuberant eau di vie. The style is one of sublime refinement and class - perhaps too much for some palates - but all the elements are so well balanced. This release is a total knockout.

The Eau de Vie Reine Claude Doreé (100% Greengage Plum) is a wild, exotic eau de vie. The aromatics alone are crazy. A whole range of floral and savory top notes give the Reine Claude Dorée its distinctive personality. Fruit is more in the background in this captivating spirit from Laurent Cazottes. The bright, clean finish is a thing of beauty.

The Haut-Armagnac La Réserve is very pretty, aromatic and lifted. What this young Haut-Armagnac lacks in age it more than makes up for with its exquisite balance and finesse. There are no hard edges whatsoever. Sweet spice, leather and floral notes give the Réserve notable aromatic presence to match its mid-weight personality. La Réserve is a blend of young Ugni Blanc and Colombard, usually about six years old, aged in 100% new French oak and bottled at 45% abv.

The 2011 Haut-Armagnac La Flamme (Ugni Blanc, Colombard) is a blend of single barrels bottled at full proof. Rich and explosive, La Flamme is a heady, exotic Haut-Armagnac that delivers the goods big time. Here, too, the balance is exquisite, especially for a spirit that is a little more than a decade old. Light caramel, spice, herb, maraschino cherry and toast notes build into the pure, persistent finish. This is a terrific showing. Abv is 50.5%.

The 1994 Brut de Fût is a single cask blend of 65% Ugni Blanc and 35% Colombard bottled at cask strength, unfiltered and with no additives. Gently mellowed by time, the 1994 is a wonderfully expressive Armagnac. Soft contours wrap around a gentle core of macerated cherry, spice, leather, dried herbs and light caramel notes. This is all understatement and elegance. I very much admire the precision here. Spring frost and a dry summer yielded a small crop of ripe grapes. The 1994 spent a total of 27 years in wood.

The Cognac Grand Champagne Chai Paradis Très Vieille Réserve is a single cask bottling from Frapin's Paradis cellar. Hints of smoke, caramel, dried flowers, leather and orange peel lend notable aromatic presence. A Cognac of understatement and finesse, the Très Vieille Réserve is wonderfully expressive right out of the gate. Abv is 42.8%.

The Eau de Vie de Cidre Double Zero is gorgeous. It was made from more than thirty varieties of apples, blending bitter, bittersweet, sweet and sweet varieties. Fruit is harvested, then cellared for a few months to concentrate the flavors, before fermentation and distillation begin. Laser-like in its focus, with gorgeous aromatics, this eau de vie is seriously impressive. A glass will provide pleasure to both the hedonistic and intellectual senses. This is L.20.

The Rhum Agricole Organic is a powerful spirit that makes its full-proof felt. Flavors and textures are dialed up to eleven. Hints of lime, ginger and spice add complexity to this intense, wonderfully complex rum. Although a bit of a splurge, I would be thrilled to have it on my bar for cocktails. The Organic is made from hand-harvested sugar cane, distilled in copper creole stills and bottled at 71.2% abv

The Rhum Agricole Les Mangles is a single parcel, single cane rum. Rich and explosive in feel, the Mangles possesses tremendous depth right out of the gate. Dried flowers, leather, earthiness, herbs and a touch of mint add striking complexity, but more than anything, the Mangles is a rum of textural density. Pretty floral and spice accents round out the finish. It's another intense, full-bodied rum from Père Labat, bottled at 70.7% abv.

The 2009 Single Barrel Fut is a tiny bottling of 12-year-old Rhum Agricole aged in a bourbon barrel. Soft and delicate, with striking complexity, the 2009 is lights out. Maraschino cherry, spice, dried flowers, orange peel, leather, cedar, chocolate and sweet toasted oak lend tons of aromatic and flavor complexity. The 2009 is outstanding, but readers have to expect a rum with a pretty strong oak imprint. Time in wood does seem to attenuate the power found in Père Labat's young Rhum Agricole. The 2009 Single Barrel was bottled at 61% abv. I loved it.

The Armagnac Les Carré des Fantômes is a single parcel field-blend bottling of Plant de Graisse, Mauzac Blanc, Meslier St François, Jurançon Blanc, Mauzac Rosé and Clairette de Gascogne, six nearly extinct varieties. It is an especially airy, floral and savory style of Armagnac, maybe a bit classically austere in profile, but also incredibly intriguing. Light in color, with slightly nutty, oxidative overtones, the Carré des Fantômes is an absolutely gorgeous spirit. It is a beautiful, eccentric Armagnac that requires an inquisitive palate to fully appreciate. Batch 08.

The 1990 Single Cask Armagnac is a fabulous choice for readers looking for an Armagnac with the gentle, burnished character that only comes from long maturation in cask. Soft and engaging, the 1990 is an absolute delight. Scents of dried figs, spice, caramel, crushed herbs, leather, barrel toastiness and dried flowers are all woven together. No topping during aging results in a spirit with gorgeous complexity that develops in a very gradual oxidation that has taken place over more than thirty years. Lovely.

The 2006 Calvados Single Cask was distilled from a mix of more than 40 varieties of apples and spent 15 years in French oak prior to being bottled at cask strength. It offers a gorgeous combination of bright fruit and the more complex notes conferred by aging in barrel, all with the softness achieved with time. Gentle smoke, spice, leather, orange peel and dried flowers all grace this exquisite, wonderfully complex, delicate Calvados.

The Armagnac XO from L'Encantada is a blend of eight barrels spanning vintages 2006 to 1986 from five different domaines. It marries the power of Armagnac with notable elegance and tons of finesse. A spirit with no hard edges and fabulous balance, the XO is magnificent. Fruit, floral, spice, dried fruit, caramel and subtle oak notes are all beautifully woven together. The XO is a fabulous introduction to a range mostly composed of single barrel offerings. The purity here is just superb. This is bottled at cask strength, so there is plenty of intensity, yet this lies on the more refined side of Armagnac.

The Corn Whisky Bota NO 2021 is a single barrel bottling made from 100% Spanish corn from the joint venture between Equipo Navazos and importer Nicolas Palazzi. It was aged for 15 years in an Oloroso Sherry cask, with no topping (hence the designation 'NO') and bottled at full proof. A powerful, explosive spirit, the Corn Whisky is packed with scents of scorched earth, game, leather and earthiness. There's not a lot of subtlety here, but I doubt that is the point. Bottled in 2021.

The Cognac Hommage a Yves & Jean-Noel Pelletan is a tiny blend comprised of one barrel of 1965 and a few demijohns going back to 1925. It is the last bottling from Palazzi's days of buying and blending Cognacs under his own label. Quite potent in the glass, the Hommage is a bit rustic, but also incredibly authentic in feel. The explosive power is palpable. It's a Cognac for readers who appreciate structure and body more than restraint. The Hommage was bottled at cask strength and dedicated to master coopers Yves and Jean-Noel Pelletan.

The Eau de Vie Gravenstein Apple is packed with fruit flavor, spice and strong dried white notes. There's wonderful savoriness and tartness to balance some of that fruity character, along with tons of depth and what comes across as strong skin character. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Morello Cherry is one of my favorite eau de vies in this collection. Creamy and expansive, the Morello is all finesse. Crushed red-fleshed fruit, spice, sweet floral accents and a kick of warmth all come together in a spirit that is impeccably balanced from start to finish. The depth and explosive complexity here are off the charts. This is one of four eau de vies in Rochelt's gift box set.

Rochelt's Eau de Vie Wachau Apricot is ridiculously great. Intensely aromatic, Wachau with almost tropical overtones, the Apricot is so expressive from the very first taste. Yellow orchard fruit, ginger and soaring aromatics stain the palate. It's an eau de vie that deeply satisfies both the hedonistic and intellectual senses. I will remember tasting it for a very, very long time. What a knockout. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Quince starts off quite subtle and then explodes through the mid-palate and into the finish. Strong mineral and earthy undertones give the Quince uncommon complexity to play off fruit flavors. Deep and expansive, with tons of character, the Quince is wonderfully complete, but also quite imposing. There's a ton of power and substance here, with an almost phenolic quality that lingers on the finish. This is one of four eau de vies in Rochelt's gift box set.

The Eau de Vie Mirabelle Plum was distilled in 2009, and then aged in glass balloons, in the classic Rochelt style. It is wild, penetrating and full of character. The feeling here is one of focus and length, more than the body found in some of the other eau de vies in this collection. Sweet floral and savory notes continually open in a spirit of uncommon finesse and nuance. The Mirabelle hovers on the palate with wonderful elegance. What a knockout.

https://vinous.com/articles/spirits-the-tip-of-the-iceberg-dec-2022

94 POINTS Navazos Palazzi Pedro Ximenez Single Cask Brandy

Best of, sherry, Brandy, Navazos PalazziNicolas Palazzi

This is a brandy de Jerez aged in oloroso casks, then finished three years in very old sweet Pedro Ximenez casks. The end result is an extraordinarily complex sipper that almost reads like a cocktail. The deep brown hue and bold dried fig aromas signal richness. While the first sips mingle toffee, maple, dried fruit, the finish is surprisingly dry and brisk, showing walnut skin, a hint of grapefruit peel, and cinnamon and cayenne glow. Bottled at cask strength, plan to add water or ice to mellow the appropriately fiery edge. Limited edition: 720 bottles produced. - KARA NEWMAN 

https://www.winemag.com/buying-guide/navazos-palazzi-pedro-ximenez-single-cask-brandy/

The Great Mezcal Heist

destilados, agave, MezcalNicolas Palazzi

For centuries, Indigenous Mexicans have been distilling agave as mezcal, but strict modern certification requirements are pushing more and more ancestral producers to ditch the term to preserve their culture  

by Emma Janzen Feb 15, 2022, 9:00am EST
Photography by Juan de Dios Garza Vela

In the small Oaxacan village of Santa María Ixcatlán, Amando Alvarado Álvarez makes mezcal by channeling the secrets of seven generations of family members that came before him.

Situated on a hilly natural reserve in the northern part of the Cañada region, just three and a half hours northwest of Oaxaca City, Ixcatlán has a population of fewer than 600 people, who call themselves Xuani or Xula in their native language. The village maintains two deep-rooted customs: palm weaving and distilling mezcal (which they call ixcateco) from the hearts of papalome and espadilla agaves. Both traditions serve as a means of keeping Ixcatlán’s cultural heartbeat alive while generating income for the village. Sometimes the two practices intertwine. “Mezcal from Ixcatlán always has a bit of the flavor of the palm,” Alvarado Álvarez explains, because the papery, fan-like fronds are used as a tool during multiple stages of the mezcal-making process.

Underneath the palm-thatched roof of his family palenque, or distillery, which dates back to the early 1900s but was relocated by his grandparents to its current location in 1992, 30-year-old Alvarado Álvarez creates spirits the same way the Xuani people have for centuries. He learned from his father, who learned from his father: harvest the papalome agaves during the dry season when the plants have the right sugar content; shave the spiky leaves off, then cook the hearts of the plant (piña) for several days in an earthen pit over smoldering coals; chop the cooked agave with a machete and then pound it into a pulp with a hand-carved wooden mallet; ferment in bull leather, twisted over a quartet of posts so it cradles the agave fibers and water as they transform into alcohol; then distill twice in fragile clay pot stills that sit over an open flame.

Diversity in agave species, distilling technique, and terroir lead to each mezcal’s unique fingerprint.

Alvarado Álvarez sells his mezcal mostly to members of his community, and his label Ixcateco made its stateside debut earlier this year. (He also previously sent small one-off batches to brands like Cinco Sentidos and Balancan to distribute under their own labels). His process generates only about 1,200 liters every year, a drop in the bucket compared with what some of the larger brands churn out. The orchestration demands around-the-clock care, arduous physical labor, and a reliance on intuition and muscle memory instead of hi-tech machinery — think of it as the Slow Food of the spirits world. But when you’ve been making mezcal the way your father has since you were 15, the methodologies come as second nature. And as a result, Alvarado Álvarez creates mezcal that tastes singular to his family’s style — profoundly savory, with hints of bitter cacao and sweet wet clay.

Many other mezcaleros take a similar path to making agave spirits in Mexico, tapping into veins of heirloom knowledge to create unique expressions that communicate everything from the flavor of the agave varieties that grow in the area, to the materials used to ferment and distill, to the sentiments and quirks of the spirit’s makers. This is one of the reasons Oaxacan mezcal from the village of Ejutla tastes different from one made to the northeast, in San Cristóbal Lachirioag, or to the southwest, in Sola de Vega, for example. And why mezcal from Oaxaca will bear a different personality from mezcal made in the state of Puebla. This diversity is part of what makes the mezcal category an endless wellspring of distinctive and beautiful discoveries.

Yet in many cases, according to Mexican law, these producers cannot always legally sell their distillates using the name “mezcal.” To call it mezcal, distilleries are required to meet specific criteria that the Mexican government established in 1994 as part of the official denominación de origen (DO) for the spirit — that is, a protected geographical status with requirements that dictate virtually every element of where and how it is made. Any liquid that does not meet these standards is often packaged and shipped to the United States under the label “spirit distilled from agave,” or “destilados de agave.”

Machetes are used to chop the spines from the piña of the agave plants.

This situation is not uncommon. In fact, a growing number of producers are embracing the liminal space of “spirits distilled from agave,” exporting liquor to the U.S. that is mezcal in essence but not in name. Several prominent brands, including NETA, Cinco Sentidos, Mezcalosfera, MelateMezonteRezpiral, and Pal’alma, have never certified their mezcal for the market. In Santa Catarina Minas, industry leaders Real Minero and Lalocura both recently opted to abandon the certification process altogether. And still others, like Mezcal Vago, plan to straddle the line with future releases, sending most batches through as mezcal, peppered with the occasional uncertified batch.

The terminology that ends up on a bottle label might seem like an insignificant detail for the casual enthusiast — it’s all distilled agave — but for the people who have a historic connection to this spirit, what is at stake runs much deeper and is far more complicated than simple nomenclature. The decision about whether to certify is oftentimes muddled by the murky intersection of tradition, economics, and politics. That’s why, as notable mezcaleros and brands start to speak up against the DO, all sides of the industry are starting to ask: Who gets to tell mezcal producers what to call their spirit when their practices are inextricable from their heritage?

Ancestral mezcal utilizes ancient tools like stone wheels pulled by horses or mules.

Today the world has come to know this beverage as mezcal, but the precise language used to describe the spirit in Mexico has shifted over time. Scholars such as Ana G. Valenzuela-Zapata and Gary Paul Nabhan have explained that the modern word mezcal is a Hispanicized version of the name the Aztecs used for chewed agave fibers: “mexcalli,” a combination of “metl” and “ixcalli,” which, when combined, means “oven-cooked agave.” By the mid-17th century, these agave spirits were known colloquially as vinos de mezcal, made by families in villages all over Mexico for community celebrations like funerals, births, and marriages. “Mezcal wine” is an apt descriptor for the agave spirits that proliferated during this time — just as tempranillo and pinot noir taste radically different from each other, no two mezcals made in an artisanal manner will ever taste exactly alike because every area has a different climate and terroir, different agave varieties, and different ancestral traditions.

This dynamic landscape of vinos de mezcal endured until the 20th century, when legal protections started to emerge to distinguish regional styles from one another. The first spirit to formalize in Mexico was vinos de mezcal de tequila, which received a denomination of origin (notably the first outside of Europe to do so) in 1974. As Tequila snowballed into a full-fledged category with international recognition, it brought great economic wealth back to Mexico, a success that prompted the government to build similar parameters for mezcal two decades later.

“The only thing clear to us today is that the denomination of origin has hijacked the word mezcal from the people who produce it.”

By 1997, a certification body called the El Consejo Mexicano Regulador de la Calidad del Mezcal, A.C. (COMERCAM — formerly known as the Consejo Regulador del Mezcal, or CRM) was formed to oversee, interpret, and enforce the regulations, which are called the Norma Oficial Mexicana, or NOM. According to the regulations, mezcal must be made from 100 percent agave in one of 10 states (Oaxaca, Durango, Guerrero, Guanajuato, Michoacán, Puebla, Zacatecas, Tamaulipas, San Luis Potosí, or Sinaloa). It is categorized in one of three classes based on how it’s made — ancestral, artisanal, or mezcal (which is usually an indication of industrial processes) — and the liquid must meet chemical levels the Mexican government has deemed safe for consumption. Namely, it must clock in between 35 percent and 55 percent alcohol by volume (abv), with 30 parts per million to 300 parts per million (ppm) of methanol, among other scientific details.

The first goal of this standardization of the spirit was to alchemize mezcal’s somewhat dodgy reputation (a lingering effect of Prohibition) so the world would know it as a respectable liquor that is unique to Mexico. Like prosciutto di Parma, Gruyere, or cognac, with a unified boilerplate for production, mezcal would once again be considered a spirit of reliable quality and character on the global stage. The regulations also would ensure that mezcal’s name would always be tied to Mexico and not to other countries where agave is grown and distilled, like Venezuela, South Africa, or Australia. “Anyone could produce a drink very similar to Champagne anywhere in the world, but they could not call it Champagne, even if it tasted identical. The same goes for mezcal,” says Alberto Esteban Marina, the former director general of the NOMs. “The international treaty that protects DOs aims to safeguard and give a distinctive status to products, culture, processes, traditions, and, of course, to guarantee these characteristics to consumers.”

The NOM also cements a baseline for traceability and transparency regarding the processes used to create mezcal, an important point considering how mezcal’s bad rap in the ’90s in part also stemmed from sketchy producers selling adulterated liquid throughout Oaxaca. “Nowadays the most important thing about the certification is that you have someone who is checking that the product is actually what you are selling,” says Oaxacan-born chemist Karina Abad Rojas, who is now the head of production and master distiller at Los Danzantes (called Las Nahuales in the U.S. due to trademark issues), and also works with the brand Alipus, both of which export certified mezcal. “There are a lot of honest producers out there, but the market is also full of people who lie, producers who say there are no chemicals or sugars added, when if you were to make a proper lab analysis of what they are making, you will see there is a difference in what they are saying and what is in the liquid.”

Before the DO came along, making a living as a mezcalero — producing only small batches primarily for local consumption — was not lucrative. That prompted many producers to diversify sources of income with other jobs like farming or construction, or leave the country altogether to find more viable economic opportunities. So for Abad Rojas, who also served as one of the first certifying agents for the CRM in the early aughts, another primary benefit to certification is economic. “I wanted producers to become certified because they could then have more opportunities to sell their mezcal on the commercial market. They could sell in bigger cities like Mexico City and Guadalajara, and be available to export,” she says.

Lupita Leyva, a former member of the then CRM (now COMERCAM) who is now working for El Clúster Mezcal de Oaxaca, emphasizes that certification also keeps those jobs and economic opportunities in Mexico. “Sometimes the agave distillates are being bought from small producers and being sent out of Mexico, not even being bottled here. They just pay for the liquid and take those jobs away from the people here. They are skipping our law,” she says. “You cannot go to Champagne and buy bulk Champagne and bottle in Mexico for a reason. We at the CRM, our purpose was to protect those jobs.”

For the first few decades after the DO was established, many brands were eager and willing to adhere to the laws set for certification, which kick-started an infrastructure robust enough to bring expats back to Mexico to reignite the family mezcal business. By the numbers, Mexico produced 1 million liters of mezcal in 2011 — nine years later that figure reached almost 8 million liters, with more than half that volume sent to the international market. While the commercial figures haven’t quite caught up to the impact of tequila yet (in 2021, the tequila industry generated more than 500 million liters), the mezcal category is still well on the path to stardom, thanks in large part to the creation of the denomination of origin.

In the village of Santa Catarina Minas, one of the hallmarks of the native mezcal culture is distillation in clay pot stills, called olla de barro. Typically “glued” together with mud and clay, these hand-built stills crack easily and must be replaced often. The mezcal often bears a delectable mineral quality from its time spent in contact with the clay. This custom has been carried down through the generations at most palenques in the area, including at Real Minero, where Graciela Angeles Carreño and her family have been making mezcal since the 1800s and started making certified mezcal under the label Real Minero in 2004.

“We decided to certify in the beginning because we didn’t want to repeat the history of our grandparents and their grandparents — during their lives as producers, they had to sell mezcal on the sly because production was illegal in Mexico. We decided to abide by the rules so we could legally sell what the family produced,” she explains.

But in the last few years, a series of interactions with COMERCAM left Angeles Carreño feeling as though they were unjustly harassing the brand, which drove her to denounce certification. The last straw came about in May 2018 via a disagreement regarding the use of regional names for agave varieties. In many parts of Mexico, local names differ by village, so when the COMERCAM told Real Minero that the plant they have always called Cuishe had to be labeled as Mexicano and that they could not use the name Coyota anymore — despite that the certification body had previously authorized use of that vernacular — Angeles Carreño believed the organization had reached too far outside its normal purview: “The only thing clear to us today is that the denomination of origin has hijacked the word mezcal from the people who produce it. We cannot use the word, and we cannot freely express our opinions.”

“Real Minero leaving the DO is a bellwether,” says educator and Experience Agave founder Clayton Szczech. “The CRM [now COMERCAM] was not allowing them to put the traditional names of their magueys on their label, so you have this regulatory body telling the practitioners and guardians of their culture that they are wrong about their culture.” He adds, “These authorities are actually becoming gatekeepers toward standardization or a particular idea of what is going to sell rather than being the facilitators they are supposed to be for these special products.”

In many cases, the difference between making mezcal that qualifies for certification or not can lie within a few degrees of proof, or a few parts per million of methanol or acidity. Seemingly small details, but ones that would force mezcaleros to change their customs in favor of creating a more homogenized version of mezcal. For example, the spirits made by Amando Alvarado Álvarez in Ixcatlán sometimes register a few degrees above the methanol cap of 300 ppm. “If we want to hit that parameter, we would have to make our cuts at a higher proof and then bring them down with water,” he explains. “For those of us who live to make mezcal in Ixcatlán, it is a sin to add water. It is against our tradition, which is why I won’t adjust to the parameters.”

On a more practical level, much of the debate around certification also comes down to money: Most rural producers who make spirits using time-intensive, pre-industrial methods simply cannot afford the cost, which some say in the past have ranged anywhere from $3,000 to $10,000. The exact expenses today fluctuate depending on which state the mezcal is produced in and which certification body oversees the process, but in many cases the brand owners take on the financial burden — the majority of mezcal brands sold in the U.S. today are not mezcalero-owned — baking the figure into the cost of the final bottle. When funds are not available for that, the responsibility lands on the mezcaleros, many of whom don’t have paved floors or electricity, let alone the money to certify their spirits.

Producers and brand owners from both certified and uncertified brands alike agree that the rigid parameters of the DO could use an overhaul to better protect the soul of the category. Max Rosenstock of NETA, another uncertified brand now available in the States, puts a global perspective on the matter. “Mexico is one of the most biodiverse places in the world, and Oaxaca is in the center of all that. The idea that there’s just one denomination covering all of this is just absurd. In Italy there are over 300 DOs for their wine varietals, so what are we doing here in Mexico with one denomination of origin for the entire country? It doesn’t protect, it doesn’t regulate.”

“Regardless of whether or not we use the word mezcal, the process, the tradition, in the production of our drink is still the same as our grandparents used.”

There is also the issue of the way certification is conducted. With the COMERCAM as the primary organization in charge of interpreting and enforcing the NOM for many years, some of the COMERCAM’s behaviors have prompted concern and stoked resentment among producers. In late 2020, the secretary of economy for Mexico fined the regulatory body for deceptive and abusive practices. Last spring, allegations of misconduct surfaced against then-president Hipócrates Nolasco Cancino, with reports ranging from intimidation to allegations that he’d demanded sexual favors in exchange for certification. Shortly after, internal struggles over leadership led to the division of the COMERCAM into several new entities, which are currently sorting out how to move ahead into the future.

For the average fan, certification might seem inconsequential because it has no real bearing on the inherent quality of the mezcal itself. “There are fantastic products on both sides,” says spirits importer Nicholas Palazzi, who works with brands including Cinco Sentidos, NETA, and Ixcateco, which will make its stateside debut this year. “To me, it has to do with what the producer wants to make. If the producer is doing things that check the boxes of the denomination to be certified as cognac or mezcal, if it’s doable and the producer can afford it, and he or she doesn’t have to adapt to what they have been doing for seven generations to get a piece of paper being put together by people in a suit working out of a conference room in Mexico City, that’s cool! Let’s certify the stuff.” But even then, he adds, “I don’t see the point in changing the way that something has been made for generations just to check boxes.”

When you talk to brand owners, distributors, importers, and other industry types, tucked into the folds of this narrative lies an instinct to assign value to one camp versus the other. Pro-certification people shout: Certified agave spirits are more trustworthy than uncertified ones! Anti-certification proponents stand by the idea that the destilados de agave route better preserves the spirit of the spirit. Regardless of which side you’re on, it will be interesting to see how the chasm between the two evolves, especially as the industry navigates a new world led by multiple regulatory agencies instead of a single unified organization.

At the end of the day, for mezcaleros and legacy producers like Graciela Angeles Carreño, the issue is ultimately about agency. About who can currently use the name mezcal and who should be able to use the name mezcal. “Agave distillates are produced throughout the national territory, so there should not have to be authorization for a person to make use of the word mezcal,” she says. “That is a situation that, seen from our perspective, is a way of stripping the producers of something that is our property, because it is our culture.”

She says that many people have questioned her decision to stop certifying Real Minero as mezcal, but she does not feel any regret. “Regardless of whether or not we use the word mezcal, the process, the tradition, in the production of our drink is still the same as our grandparents used; the certainty that we give you is that we still have the records, the traceability in our process, and we have a respect for tradition,” she says. “Mezcal belongs to all Mexicans, and as long as there are producers that respect and preserve our distillate and are willing to defend the origin of our drink, the world will continue to taste great agave spirits.” 

https://www.eater.com/22929882/mezcal-destilado-de-agave-distilling-indigenous-culture-oaxaca

Commanders and Cocktails!

Best of, cocktails, Interview, Jacky Navarre, Laurent Cazottes, Nouaison Gin, Pere Labat, NETA, Navazos PalazziNicolas Palazzi

Welcome to COMMANDERS AND COCKTAILS!

Some folks know that before I was able to work full time in comics, I worked in a variety of jobs in the wine and spirits field. And the final one of those was for my good friend Nicolas Palazzi’s PM Spirits. Just COMMANDER IN CRISIS, PM works its ass off to be unique, to create trends rather than follow them, and offer craftsmanship and creativity in a field that has, at times, been known to stagnate. I wouldn’t be where I am, writing this, without the support of friends and employers like Nicolas.

So, I thought it would be fun to turn the tables and feature him and his crew below, offering some in-universe cocktail recipes to honor the heroes of the Crisis Command. In the paraphrased words of a greater power, when I left PM I was but the learner. Now, I am the master (well, or closer to it)! And either way, I’m happy to return the support with a feature here, and invite creatives from other fields into the world of the Crisis Command.

STEVE ORLANDO

Commanders in Crisis, Vol. 2

PRIZEFIGHTER

2oz Navazos Palazzi Malt or Corn Whisky
0.75oz La Quintinye Rouge Vermouth
0.5oz cherry liqueur
2 dashes Angostura Bitters
Barspoon Absinthe

Instructions:

Build in rocks glass over ice and stir briefly. Garnish with burnt blood orange peel.

SEER

2.5oz Neta Espadin Destilado de Agave
0.5oz La Quintinye Dry
Barspoon of olive brine
Pinch of salt

Instructions:

Build in mixing glass over ice and stir until cold. Strain into chilled cocktail glass and garnish with 3 green olives on a pick.

SAWBONES

2oz Père Labat Rhum Blanc 59%abv
4 dashes Peychaud’s Bitters
Sparkling mineral water

Instructions:

Pour Rhum into highball glass over ice. Stir briefly to chill. Top with sparkling water and bitters. Stir once again to combine. Serve without garnish. or Neat pour of Jacky Navarre Cravache d’Or Cognac

ORIGINATOR

1oz Nouaison Gin by G’Vine
0.75oz lemon juice
0.5oz Laurent Cazottes Folle Noire
0.5oz simple syrup
2oz sparkling wine

Instructions:

Build all ingredients except sparkling wine in a shaker and shake lightly to combine. Add sparkling wine to the shaker and strain into chilled cocktail glass. Garnish with a spring of fresh lavender.

FRONTIER

2oz Père Labat Rhum Blanc 40% or 59% abv - Choose your strength
0.5oz Laurent Cazottes 72 Tomatoes

Instructions:

Build in mixing glass over ice and stir until cold. Strain into chilled cocktail glass and garnish with freshly ground black pepper.

COCKTAIL CREDITS: David Yi-Hsian Dong and Nicolas Palazzi of PM Spirits.

Where There's Smoke: Mezcal is Booming in the Cocktail World

Mezcal, cinco sentidosNicolas Palazzi

Food Network Magazine - May, 2021

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Visit any serious cocktail bar or well-stocked liquor store and you'll likely encounter mezcal.

The smoky Mexican liquor, distilled from the roasted hearts of agave plants, has long been central to Oaxacan culture but has more recently become a stateside obsession: America imports more mezcal than any other country in the world, with sales having grown 77 percent since 2017, according to the Distilled Spirits Council. Mixologists have helped fuel the boom by creating new mezcal cocktails, although many fans also drink Mezcal the traditional way: at room temperature with salt and an orange slice.

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Bottle To Try:

Cinco Sentidos, Papalometl Mezcal - The agave is fermented in rawhide, a local tradition.

Cinco Sentidos, Papalometl Mezcal - The agave is fermented in rawhide, a local tradition.

What’s the Best New Mezcal That’s Earned a Spot on Your Bar?

Best of, Mezcal, NETANicolas Palazzi
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With distinctive flavors that produce complex and nuanced cocktails, mezcal has secured its position as a bartender favorite. Made from more than 30 different agave species, the smoky sipper has flavors that run the gamut, including  from vegetal, floral, fruity, and spicy. Mezcal has become so popular as of late that finding a bar program without the spirit would prove to be a daunting task.

To help home bartenders add some Mexican spirit to their bar lineup, drinks experts are sharing their latest favorite mezcals. From artisanal seasonal releases, to an offering that dials down the smoke, to a celebratory mezcal that uses raw turkey breast, read on for the 11 new bottles that bartenders are springing for.

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Neta Mezcal Bicuixe 2018 by Cándido García Cruz: Neta Spirits always has excellent small-batch releases from some of my favorite Miahuatlan producers, but this one made my all-time bottle list and was a bright spot on my backbar during the last few months. I’ve enjoyed sharing this bottle with our guests and reminiscing about summers in Oaxaca.” —James Simpson, Beverage Director/Manager, Espita and Las Gemelas, Washington, D.C.

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Neta ‘Hotel June’ Mexicano Verde & Bicuixe or Legendario Domingo Guerrero Cupreata: While the L.D. Guerrero is not a new release, both of these are favorite sippers of mine. The Neta is a major body high, and the L.D. Guerrero is like drinking dark cocoa and fresh-cut jalapenos.” —Steve Livigni, F&B Partner and Beverage Director, Caravan Swim Club at Hotel June, Los Angeles

https/vinepaircom/articles/wa-10-best-new-mezcals-2021/

Geeky Cocktails: Meet the Man Behind the Artisanal Spirits Movement

cognac, Navazos Palazzi, PM Spirits, InterviewNicolas Palazzi
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Geeky Cocktails: Meet the Man Behind the Artisanal Spirits Movement

When Nicolas Palazzi quit his day job as a chemical engineer in 2008, the spirits world got a little more interesting. The French native had moved to New York City to manage a medical research lab, but brought with him a curiously intense affinity for rare-cask Cognac. Dismayed by the lack of like-minded, handcrafted products on the market in the U.S.—where the spirits scene was still largely focused on big-name brands despite a booming, more intelligent cocktail culture—he set out to learn the business from the ground up. He officially launched his import company, PM Spirits, in early 2011 with just two independent Cognac producers (Paul Beau, Guillon-Painturaud) and six products. Now his book includes profound Spanish brandies, grappa from famed Sicilian avant-gardiste Frank Cornelissen, and Mexican Fernet (a bitter liqueur).

Palazzi is being lauded by beverage authorities nationwide as the go-to for distillates of character and terroir, and Palazzi’s unique bottles now line the shelves of restaurant and bar greats like The NoMad in New York City, Jack Rose Dining Saloon in Washington, D.C., and Scopa Italian Roots in Venice, California. Had an interesting digestif you’d never heard of before while out dining? That might have been made possible through Palazzi’s meticulous sourcing. He talks to Vogue.com about cocktails, “geeky” spirits, and the six bottles he’s most excited about now.

The tagline on your website is “provider of geeky spirits.” What does “geeky” mean in the spirits world?

When it comes to spirits in general, one doesn’t buy a product, one buys a brand. They buy the marketing and the status that the label conveys, but they don’t have a gauge on the true quality of the stuff inside the bottle, how it was made, who made it, and why it tastes the way it does. So by “geeky,” we mean the other stuff. It’s made by real people. It has an actual flavor profile that is specific to the place in which it’s made and the ingredients it’s made from. It’s not sweetened to death, artificially colored, or made to be as innocuous as it can be.

From that perspective, it seems to be as much about supporting the little guy as it is about supplying cool products.

It absolutely is. We want them to keep doing what they’re doing. When you start working with somebody, and they’re distilling out of a shack or their house is run-down, and you come back a year and a half later and see that they’ve made improvements. . . I’m not saying it’s 100 percent because of what we’ve done, but there is something rewarding about working with real people and the fact that the money spent buying these products can go toward their living and the creative process as opposed to feeding some giant company. I have nothing against big companies, but that makes it more meaningful to me. And the other result is that we’re educating people; we’re getting the authentic stuff to the people who will care about it. We’re showing them what these spirits used to taste like before mass marketing existed and can still taste like today.

What is a typical reaction of someone tasting spirits in your portfolio who is more used to tasting name-brand products?

People are not sure what to expect. A lot of people start out thinking that they’re doing us a favor by tasting these products that they’ve never heard of before, but they end up realizing that there’s a world of difference. I had one buyer who thought he didn’t like Cognac, then after one taste of the Paul Beau VS, he lit up. He was all, “Oh, wow, that’s really interesting,” and, “That’s a set of aromas and flavors I’ve never experienced before.”

There’s something extra that happens in the brain with the sensory experience of taste. When you taste something new and you love it, there’s an emotional connection that takes place. At that point, the person is not likely to forget it. They know you’re not fooling around and will want to see what else you have in your bag, even if it’s not something that will appeal to their particular clientele. They know you’re not wasting their time.

Would you say that the movement toward artisanal spirits is picking up speed, like what we saw happen to the craft-beer category?

It has definitely changed over the last six or seven years. Before, nobody cared, really. If you take bourbon as an example, you used to be able find anything you’d want and more on the shelves for a lot less money because people just didn’t know about it. And now certain bourbons are unavailable and allocated. Spirits are becoming cool. Drinkers have started paying more attention to what they’re drinking. I think that’s good news for everyone involved.

What is the coolest cocktail that you’ve encountered made with one of your spirits?

In Texas, I saw a sidecar made with a single-cask Cognac from a producer named Gourry [de Chadeville] that I brought in last year. This Cognac is distilled in a wood-fired pot still and is 64.3 percent alcohol, so that is a pretty kick-ass sidecar. You can’t drink too many of them! And at Cane & Table in New Orleans, they’re making a daiquiri with a rum I sourced in Spain from the sherry producer Equipo Navazos. It’s a bold daiquiri and is totally delicious.

What’s the latest addition to your portfolio that you’re most excited about? The thing that we don’t know about yet but will?

Calvados! I was lucky enough to be introduced to Eric Bordelet, the cider-maker in Normandy. It turns out the guy has been distilling for a number of years but never released anything. He’s doing single-cask full-proof unfiltered Calvados, distilling from both his cidre and his poiré (pear cider). Plus, his mentor was Didier Dagueneau, the famed Pouilly-Fumé winemaker, so everything is aged in ex-Silex casks from Dagueneau. It’s incredibly cool and will be available stateside in the beginning of 2016.

Intrigued? Here are six unique bottles Palazzi recommends adding to your bar (or gifting a very good friend):

Navazos-Palazzi Double Barreled Cask Strength Spanish Rum
A 100 percent molasses-based rum from the Antilles. Dark, meaty, with a nuttiness derived from the Oloroso sherry cask it ages in for more than ten years. Finishes bone dry. Only 1,500 bottles produced per year.

H. Beudin Single Cask 18 Year Calvados
Calvados with a kick, bottled at full proof. Gives a sense of what the pure stuff tastes like when sampled from a cask. Selected by star cider-maker Eric Bordelet.

Gourry de Chadeville Grande Champagne Cognac
One-man operation led by Pierre Goursat Gourry on nearly 25 acres of vineyards in Grande Champagne. A young, bold Cognac reminiscent of ripe apple and smoke, it spends seven years in an ex-first growth Sauternes cask.

Domaine d'Aurensan 1975 Single Cask Armagnac-Ténarèze
Like a vintage-dated Armagnac on steroids, with zero sugar, zero water, and zero coloring added. Distilled by the Rozès family. Mature flavors of dried prune, leather, and earth, with a seemingly endless finish.

Laurent Cazottes Poire Williams Eau-de-Vie
Distilled from organic pears dried to concentrate their flavor and then the pits, seeds, and stalks removed. Only 200 half-bottles of this Poire Williams come in to the U.S. each year.

Frank Cornelissen MunJebel Rosso Grappa
What happens when Sicily's most emblematic natural winemaker makes grappa. Distilled in a wood-fired vapor still from volcanic Mt. Etna’s indigenous Nerello Mascalese grapes.

https://www.vogue.com/article/man-behind-artisanal-sprits-top-picks

How Craft Brands Can Succeed in the Covid-19 Era

interview, Navazos Palazzi, PM SpiritsNicolas Palazzi
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Craft brands have been in the spotlight across winebeer, and spirits in recent years, with products from small producers becoming increasingly sought after over mass-marketed products. Consumers are seeking out fresh discoveries, and are increasingly prioritizing the production methods, ingredients, and stories behind craft beverages.

But the onset of Covid-19 has presented a new challenge: While consumers are increasing their home consumption and retail alcohol sales are up, most craft wine and spirits brands have not benefited. As much of the on-premise sector remains shuttered and many consumers turn to e-commerce to limit in-store purchasing, there is no salesperson or sommelier to champion small brands or encourage the consumer to try something new.

ACQUIRING NEW RETAIL PLACEMENTS

While stay-home mandates and on-premise closures have resulted in retail sales spikes — as of June 13, off-premise sales were up 26 percent year-over-year for the entire Covid-affected time period — retailers are still working to manage this unexpected business shift.

“They’re still in survival mode,” says Nicolas Palazzi, the owner of PM Spirits in New York, an importer and distributor specializing in artisanal spirits brands. “They have no energy or time to do any outreach or take sales calls. They’re reacting to demand, and that demand is for mainstream brands because that’s what people know.” In the first six to eight weeks of the pandemic, most of Palazzi’s sales through existing retail accounts were for inexpensive items.

https://vinepair.com/articles/how-craft-brands-can-succeed-in-the-covid-19-era/

The 11 Best Mezcal Brands You Need To Try

Best of, Mezcal, NETANicolas Palazzi
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Tequila and mezcal. What's the difference, right?

Quite a bit. Both tequila and mezcal do come from the agave plant, and both are indigenous liquors to Mexico. But the comparison stops there.

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NETA Espadin 

What's cool about NETA is that they work with small producers from Mihuatlan, Oaxaca, and the southern valley. For this particular Espadin (arguably the most "common" mezcal), they worked with master mezcalero Candido Garcia Cruz, who works with "quiotudo," meaning he cuts each plant before it flowers.

"This leads to better yields and develops a richness of flavor that is not found in less mature agave," said Jimenez. "It has a brassy, bright nose with a hint of fruit and flowers with a gentle touch of smoke."

https://www.businessinsider.com/best-mezcal-brands-to-try-according-to-experts-mexico-2020-5